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Flutist/saxophonist/trumpeter Daniel Carter isn't as well-known as some of his contemporaries on the New York free jazz scene, which may partially be due to the fact that he refuses to name his own projects after himself. But judging from his long history of playing in New York and his winding, exploratory recordings, he deserves to be as well-known as peers like David S. Ware or William Parker. Carter began playing in New York in the early '70s and he sporadically recorded during that decade
Discovered by embedding cosine similarity (sentence-transformers MiniLM, 384-dim).