were rustic Japanese celebrations that can be classified into two types: that developed as a musical accompaniment to rice planting observances, and the dances that developed in conjunction with . The celebrated for rice planting was performed by villagers either at the New Year or during the planting season in early summer. It was only in the 14th century that these dances were brought to the cities and incorporated into Noh theater, notably by the playwright and actor Kan'ami. The instrument of is the , a wooden percussive instrument clapper, though there are other instruments that can be us
were rustic Japanese celebrations that can be classified into two types: that developed as a musical accompaniment to rice planting observances, and the dances that developed in conjunction with . The celebrated for rice planting was performed by villagers either at the New Year or during the planting season in early summer. It was only in the 14th century that these dances were brought to the cities and incorporated into Noh theater, notably by the playwright and actor Kan'ami. The instrument of is the , a wooden percussive instrument clapper, though there are other instruments that can be used.
In the , there is a detailed description of the rice-planting . After being brought to the aristocrats, flourished till the end of the Heian period (794–1185) and became the main performing art of the Kamakura period (1185–1333), as well as part of the performing arts of the Muromachi period (1336–1573).
Discovered by embedding cosine similarity (sentence-transformers MiniLM, 384-dim).