
File:Diane-Arbus-1949.jpg · Wikimedia Commons · See Wikimedia Commons
Diane Arbus
Sign in to saveAlso known as Diane nee Nemerov, Diane née Nemerov, Diane Nemerov Arbus
American photographer (1923–1971)
Person · Open Library
- Born
- 1923-03-14
- Died
- 1971-07-26
- Works
- 13
Top works
- September 11
- Diane Arbus
- Arbus, Model, Strömholm
- Diane Arbus
- Revelations
via Open Library + Wikidata
Listeners · Last.fm
- Listeners
- 45
- Total plays
- 225
Tags
<a href="https://www.last.fm/music/Diane+Arbus">Read more on Last.fm</a>
Recent publications · Crossref
5 total works indexed
- Initial sequencing and analysis of the human genome
· 2001 · cited 18,608x
- The Timed “Up & Go”: A Test of Basic Functional Mobility for Frail Elderly Persons
· 1991 · cited 11,977x
- The mutational constraint spectrum quantified from variation in 141,456 humans
· 2020 · cited 9,162x
- Declining Morbidity and Mortality among Patients with Advanced Human Immunodeficiency Virus Infection
· 1998 · cited 7,331x
- Biodiversity loss and its impact on humanity
· 2012 · cited 6,160x
via Crossref · CC0
Key facts
- Born
- Diane Nemerov , ( 1923-03-14 ) March 14, 1923, New York City, U.S.
- Died
- July 26, 1971 (1971-07-26) (aged 48), New York City, U.S.
- Occupation
- Photographer
- Spouse
- Allan Arbus ( married</span>"}]]}'>m. 1941 ; divorced</span>"}]]}'>div. 1969 )
- Partner
- Marvin Israel (1959–1971; her death)
- Children
- Doon Amy
- Relatives
- Howard Nemerov (brother) Alexander Nemerov (nephew) Frank Russek (grandfather)
via Wikipedia infobox
~40 min read
Encyclopedic overview
Diane Arbus (/diːˈæn ˈɑːrbəs/; née Nemerov; March 14, 1923 – July 26, 1971) was an American photographer. She photographed a wide range of subjects including strippers, carnival performers, nudists, people with dwarfism, children, mothers, couples, elderly people, and middle-class families. She photographed her subjects in familiar settings: their homes, on the street, in the workplace, in the park. "She is noted for expanding notions of acceptable subject matter and violates canons of the appropriate distance between photographer and subject. By befriending, not objectifying her subjects, she was able to capture in her work a rare psychological intensity."
In his 2003 New York Times Magazine article, "Arbus Reconsidered", Arthur Lubow states, "She was fascinated by people who were visibly creating their own identities—cross-dressers, nudists, sideshow performers, tattooed men, the nouveaux riches, the movie-star fans—and by those who were trapped in a uniform that no longer provided any security or comfort." Michael Kimmelman writes in his review of the exhibition Diane Arbus Revelations, that her work "transformed the art of photography (Arbus is everywhere, for better and worse, in the work of artists today who make photographs)".
Excerpted from Wikipedia’s “Diane Arbus” article, available under the CC BY-SA 4.0 licence.