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divisionism
Sign in to saveAlso known as chromoluminarism
thumb|200px|Charles Blanc’s color wheel, which was influential in Divisionist theory
Key facts
- Artwork.image_file
- Robert Delaunay L'homme à la tulipe (Portrait de Jean Metzinger) 1906.jpg
- Artwork.image_size
- 200px
- Artwork.title
- ''L'homme à la tulipe (Portrait de Jean Metzinger)''
- Artwork.artist
- Robert Delaunay
- Artwork.year
- 1906
- Artwork.medium
- Oil on canvas
- Artwork.height_metric
- 72.4
- Artwork.width_metric
- 48.5
- Artwork.height_imperial
- 28.5
- Artwork.width_imperial
- 19.1
- Artwork.metric_unit
- cm
- Artwork.imperial_unit
- in
- Artwork.city
- Otterlo, Netherlands
- Artwork.museum
- Rijksmuseum Kröller-Müller
- Artwork.italic title
- no
via Wikipedia infobox
~15 min read
Encyclopedic overview
13 sectionsContents
- Theoretical foundations and development
- Beginnings with Georges Seurat
- Paul Signac and other artists
- Color theory
- Divisionism in France and Northern Europe
- Divisionism in Italy
- Criticism and controversy
- Scientific misconceptions
- Gallery
- See also
- References
- Further reading
- External links
thumb|200px|Charles Blanc’s color wheel, which was influential in Divisionist theory
Divisionism, also called chromoluminarism, is the characteristic style in Neo-Impressionist painting defined by the separation of colors into individual dots or patches that interact optically.
Excerpted from Wikipedia’s “divisionism” article, available under the CC BY-SA 4.0 licence.