File:El_lissitzky_self_portrait_1924.jpg · Wikimedia Commons · See Wikimedia Commons
El Lissitzky
Sign in to saveAlso known as El' Lisickij, Ėlʹ Lisit︠s︡kiĭ, El Lissickij, Eliezer Markovich Lissitzky, Lasar Lissitzky, Eliezer Lissitsky, Lazar Markovich Lissitzky, Lazar Markovich Lisitskii
Soviet artist, designer, photographer, teacher, typographer and architect (1890–1941)
El Lissitzky was a Soviet artist and designer of the early 20th century who worked across multiple creative disciplines including painting, architecture, photography, and graphic design. His innovative work in these fields made him an influential figure in modern art and design, though his career was cut short when he died in 1941.
AI-generated from the Wikipedia summary — may contain errors.
Key facts
- Born
- Lazar Markovich Lissitzky , ( 1890-11-23 ) 23 November 1890, Pochinok , Smolensk Governorate , Russian Empire
- Died
- 30 December 1941 (1941-12-30) (aged 51), Moscow , Soviet Union
- Notable work
- Beat the Whites with the Red Wedge
via Wikipedia infobox
Wikidata facts
- Instance of
- human
- Gender
- male
- Citizenship
- Russia
- Place of birth
- Pochinok
- Place of death
- Moscow
- Spouse
- Sophie Lissitzky-Küppers
- Occupation
- artist
- Educated at
- Technical University of Darmstadt
- Languages spoken
- German
- Native language
- Russian
- Participant in
- Documenta III
- Field of work
- avant-garde
- Genre
- Constructivism
- Movement
- Constructivism
- Image
- El lissitzky self portrait 1924.jpg
- Political ideology
- communism
Show 11 more facts
- Commons category
- El Lissitzky
- cause of death
- tuberculosis
- date of birth
- 1890-11-23
- date of death
- 1941-12-30
- medical condition
- tuberculosis
- Commons Creator page
- El Lissitzky
- manner of death
- natural causes
- place of burial
- Donskoe cemetery
- Commons gallery
- El Lissitzky
- has works in the collection
- Museum Ludwig
- name in native language
- Ла́зарь Ма́ркович Лиси́цкий
Sources (12)
via Wikidata · CC0
Works in European collections
25 objects attributed to El Lissitzky, held across European museums, libraries & archives · via Europeana
Pressure
Reconstruction, made by the Stedelijk van Abbemuseum
Beats the whites with the red wedge
Reconstruction, made by the Stedelijk van Abbemuseum
Pressure
Lounge at the Berlin Art Exhibition, Berlin 1923, reconstruction in Eindhoven
Pressure
Proun
Proun
Pressure
Proun 23 N (B 111)
Pressure
Pressure
Merz-Matinee (red version), [Hanover]
Merz postcard from Kurt Schwitters to Hannah Höch with illustration "Kurt Schwitters. Postcard harmonica. (Merz image) '. Hanover
Lounge for the Berlin Great Art Exhibition. Reconstruction of the Stedelijk Van Abbemuseum Eindhoven in 1965
Untitled (double portrait of two boys, double exposure)
Merz-Matinee. [Hanover]
Lissitzky, El: Suprematisch schon van twee kwadrat: in 6 [ses] constructies.. The Hague: Verl. De Stijl, 1922. - [Exempl. No. 15, hs. signed by El Lissitzky.] - 16 p.
Untitled
Untitled
Untitled
Untitled
Untitled
Untitled
~40 min read
Encyclopedic overview
El Lissitzky (Russian: Эль Лиси́цкий, born Lazar Markovich Lissitzky Russian: Ла́зарь Ма́ркович Лиси́цкий, listen; 23 November [O.S. 11 November] 1890 – 30 December 1941) was a Russian and Soviet artist, active as a painter, illustrator, designer, printmaker, photographer, and architect. He was an important figure of the avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union.
Lissitzky began his career illustrating Yiddish children's books in an effort to promote Jewish culture. He started teaching at the age of 15, maintaining his teaching career for most of his life. Over the years, he taught in a variety of positions, schools, and artistic media, spreading and exchanging ideas. He took this ethic with him when he worked with Malevich in heading the suprematist art group UNOVIS, when he developed a variant suprematist series of his own, Proun, and further still in 1921, when he moved to Weimar Republic. In his remaining years he brought significant innovation and change to typography, exhibition design, photomontage, and book design, producing critically respected works and winning international acclaim for his exhibition design. This continued until his deathbed, where in 1941 he produced one of his last works – a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany.
Excerpted from Wikipedia’s “El Lissitzky” article, available under the CC BY-SA 4.0 licence.