
Profile via TMDB · Courtesy of TMDB
Eric Kripke
Sign in to saveAmerican screenwriter, television director, television producer
Person · Open Library
- Works
- 2
Top works
- Jacked
- The Essential Supernatural On The Road With Sam And Dean Winchester
via Open Library + Wikidata
Film & TV
Writing · Toledo, Ohio, USA
Eric Kripke is an American screenwriter, director, and producer, best known as the creator of the popular TV series "Supernatural," "The Boys" and "Gen V."
Known for
- Prime Rewind: Inside The Boys — Self2020
- The Boys — Throwing Ropes Supe (voice) (uncredited)2019
- Exposure — Self2000
via TMDB
Music · MusicBrainz
- Type
- Person
- Gender
- Male
- Origin
- United Kingdom
- Active from
- 1945-03-30
bluesblues rockguitarguitaristsrocksoft rock
Discography
via MusicBrainz · CC0
Listeners · Last.fm
- Listeners
- 41
- Total plays
- 574
<a href="https://www.last.fm/music/Eric+Kripke">Read more on Last.fm</a>
Recent publications · Crossref
5 total works indexed
- Gene set enrichment analysis: A knowledge-based approach for interpreting genome-wide expression profiles
· 2005 · cited 48,863x
- UCSF Chimera—A visualization system for exploratory research and analysis
· 2004 · cited 44,354x
- SciPy 1.0: fundamental algorithms for scientific computing in Python
· 2020 · cited 36,569x
- The Genome Analysis Toolkit: A MapReduce framework for analyzing next-generation DNA sequencing data
· 2010 · cited 26,092x
- Array programming with NumPy
· 2020 · cited 23,501x
via Crossref · CC0
Quotes
- “If I had a worldview, and I don’t know if I do, but if I did, it’s one that’s intensely humanistic. [That worldview] is that the only thing that matters is family and personal connection, and that’s the only thing that gives life meaning. Religion and gods and beliefs — for me, it all comes down to your brother. And your brother might be the brother in your family, or it might be the guy next to you in the foxhole.”
- “When you start a show, the plans are not set in stone. They’re really mutable, cocktail napkin sketches.”
- “Mythologies become exhausting burdens, from a writer’s perspective. If you look deep into The X-Files, which we bring up a lot in the room as something we’re just terrified of, or late in the game with Buffy, as much as I love that show, things get complicated and it’s hard. It becomes less about the fun of why you fell in love with that show, in the first place, and more about servicing all of these storylines.”
- “I’m not a fan of endless mystery in storytelling. I like to know where the mythology is going and that we’re getting there in [an] exciting, fast-paced way.”
- “Every so often you want to map out your plot mythology but never so specifically that you can’t let a story surprise you. You want to allow the type of action of the writer's room so that you have the ability to take a left turn.”
- “We were really interested in exploring the idea of authority figures getting the public really riled up with xenophobia and racism, but ultimately the most dangerous people are the white dudes standing next to you. We wanted to reflect that story. So, the supervillains are, in a way, a misdirect.”
via Wikiquote · CC BY-SA