
Exotica is a musical genre that was popular during the 1950s to mid-1960s with Americans who came of age during World War II. The term was coined by Simon "Si" Waronker, Liberty Records co-founder and board chairman, named after the 1957 Martin Denny album Exotica. The musical colloquialism exotica means tropical ersatz, the non-native, pseudo experience of insular Oceania, Southeast Asia, Hawaii, the Amazon basin, the Andes, the Caribbean and tribal Africa. Denny described the musical style as "a combination of the South Pacific and the Orient...what a lot of people imagined the islands to be
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Exotica is a musical genre that was popular during the 1950s to mid-1960s with Americans who came of age during World War II. The term was coined by Simon "Si" Waronker, Liberty Records co-founder and board chairman, named after the 1957 Martin Denny album Exotica. The musical colloquialism exotica means tropical ersatz, the non-native, pseudo experience of insular Oceania, Southeast Asia, Hawaii, the Amazon basin, the Andes, the Caribbean and tribal Africa. Denny described the musical style as "a combination of the South Pacific and the Orient...what a lot of people imagined the islands to be like...it's pure fantasy though." While the South Seas forms the core region, exotica reflects the "musical impressions" of every place from standard travel destinations to the mythical "shangri-las" dreamt of by armchair safari-ers.
==History== thumb|Les Baxter's Ritual of the Savage (Le Sacre du Sauvage) is one of the definitive albums of the exotica genre. Les Baxter's album Ritual of the Savage (Le Sacre du Sauvage) was released in 1951 and would become a cornerstone of exotica. This album featured lush orchestral arrangements along with tribal rhythms and offered such classics as "Quiet Village", "Jungle River Boat", "Love Dance", and "Stone God." Ritual is the seminal exotica record, influencing all that came after it. As the 1950s progressed, Baxter carved out a niche in this area, producing a number of titles in this style including Tamboo! (1956), Caribbean Moonlight (1956), Ports of Pleasure (1957), The Sacred Idol (1960) and Jewels of the Sea (1961). Baxter claimed Ravel and Stravinsky as influences on his work.
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