
250px|right The frottola (; plural frottole) was the predominant type of Italian popular secular song of the late fifteenth and early sixteenth century. It was the most important and widespread predecessor to the madrigal. The peak of activity in composition of frottole was the period from 1470 to 1530, after which time the form was replaced by the madrigal.
250px|right The frottola (; plural frottole) was the predominant type of Italian popular secular song of the late fifteenth and early sixteenth century. It was the most important and widespread predecessor to the madrigal. The peak of activity in composition of frottole was the period from 1470 to 1530, after which time the form was replaced by the madrigal.
While "frottola" is a generic term, several subcategories can be recognized, as would be expected of a musical form which was used for approximately a hundred years, maintaining immense popularity for more than half of that time. Most typically, a frottola is a composition for three or four voices (more towards the end of the period), with the uppermost voice containing the melody: instrumental accompaniments may have been used. The poem usually has a rhyme scheme of ABBA for a ripresa (reprise), and a stanza of CDCDDA or CDCDDEEA, though there is much variation between subtypes of frottola. Most likely the poetic forms are descended from the fourteenth-century ballata, though the music shows a startling simplification from late fourteenth-century practice.
Discovered by embedding cosine similarity (sentence-transformers MiniLM, 384-dim).