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Gantenbein

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Gantenbein

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Also known as A wilderness of mirrors, A wilderness of mirrors ; Gantenbein

Mein Name sei Gantenbein (roughly "[Let] my name be Gantenbein") is a 1964 novel by the Swiss writer Max Frisch. It was translated into English in 1965 by Michael Bullock as A Wilderness of Mirrors; this translation was later reprinted under the title Gantenbein in 1982. The novel features a narrator who recounts a multitude of dislocated, fragmented stories, which together reveal certain traits and patterns.

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Author
Max Frisch
First published
1964
Editions
13
Subjects
Continental european fiction (fictional works by one author), Germanic literature, German language materials

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Wikidata facts

Instance of
literary work
Country of origin
Germany
Show 8 more facts
first line
Die dabei gewesen sind, die letzten, die ihn noch gesprochen haben, Bekannte durch Zufall, sagen, dass er an diesem Abend nicht anders war als sonst, munter, nicht übermütig.
title
Saukšu sevi par Gantenbeinu
last line
[...] aber Gegenwart, und wir sitzen an einem Tisch im Schatten und essen Brot, bis der Fisch geröstet ist, ich greife mit der Hand um die Flasche, prüfend, ob der Wein (Verdicchio) auch kalt sei, Durst, dann Hunger, Leben gefällt mir -
publication date
1964-00-00
inception
1960-00-00
working title
Lila oder Ich bin blind
language of work or name
German
form of creative work
novel
Sources (3)

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~6 min read

Encyclopedic overview

5 sections
Contents
  • Plot
  • Themes
  • Writing process
  • See also
  • References

Mein Name sei Gantenbein (roughly "[Let] my name be Gantenbein") is a 1964 novel by the Swiss writer Max Frisch. It was translated into English in 1965 by Michael Bullock as A Wilderness of Mirrors; this translation was later reprinted under the title Gantenbein in 1982. The novel features a narrator who recounts a multitude of dislocated, fragmented stories, which together reveal certain traits and patterns.

== Plot == Abandoned by his wife, the narrator sits in an empty apartment with covered furniture. He says he has had an experience and is now searching for the story that goes with it. He tries on stories like clothes. Each “I” that speaks, he says, is only a role; every person invents for themselves the story they take to be their life. As an example, he tells of the milkman who goes mad because his identity has worn out and he cannot come up with a new one, and of the self-styled unlucky fellow who would rather lose his lottery winnings than change his self-image.

Excerpted from Wikipedia’s “Gantenbein” article, available under the CC BY-SA 4.0 licence.

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