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Gantenbein
Sign in to saveAlso known as A wilderness of mirrors, A wilderness of mirrors ; Gantenbein
Mein Name sei Gantenbein (roughly "[Let] my name be Gantenbein") is a 1964 novel by the Swiss writer Max Frisch. It was translated into English in 1965 by Michael Bullock as A Wilderness of Mirrors; this translation was later reprinted under the title Gantenbein in 1982. The novel features a narrator who recounts a multitude of dislocated, fragmented stories, which together reveal certain traits and patterns.
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- Author
- Max Frisch
- First published
- 1964
- Editions
- 13
- Subjects
- Continental european fiction (fictional works by one author), Germanic literature, German language materials
via Open Library
Wikidata facts
- Instance of
- literary work
- Author
- Max Frisch
- Country of origin
- Germany
Show 8 more facts
- first line
- Die dabei gewesen sind, die letzten, die ihn noch gesprochen haben, Bekannte durch Zufall, sagen, dass er an diesem Abend nicht anders war als sonst, munter, nicht übermütig.
- title
- Saukšu sevi par Gantenbeinu
- last line
- [...] aber Gegenwart, und wir sitzen an einem Tisch im Schatten und essen Brot, bis der Fisch geröstet ist, ich greife mit der Hand um die Flasche, prüfend, ob der Wein (Verdicchio) auch kalt sei, Durst, dann Hunger, Leben gefällt mir -
- publication date
- 1964-00-00
- inception
- 1960-00-00
- working title
- Lila oder Ich bin blind
- language of work or name
- German
- form of creative work
- novel
Sources (3)
via Wikidata · CC0
~6 min read
Encyclopedic overview
5 sectionsContents
- Plot
- Themes
- Writing process
- See also
- References
Mein Name sei Gantenbein (roughly "[Let] my name be Gantenbein") is a 1964 novel by the Swiss writer Max Frisch. It was translated into English in 1965 by Michael Bullock as A Wilderness of Mirrors; this translation was later reprinted under the title Gantenbein in 1982. The novel features a narrator who recounts a multitude of dislocated, fragmented stories, which together reveal certain traits and patterns.
== Plot == Abandoned by his wife, the narrator sits in an empty apartment with covered furniture. He says he has had an experience and is now searching for the story that goes with it. He tries on stories like clothes. Each “I” that speaks, he says, is only a role; every person invents for themselves the story they take to be their life. As an example, he tells of the milkman who goes mad because his identity has worn out and he cannot come up with a new one, and of the self-styled unlucky fellow who would rather lose his lottery winnings than change his self-image.
Excerpted from Wikipedia’s “Gantenbein” article, available under the CC BY-SA 4.0 licence.