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Helene Schjerfbeck
Sign in to saveAlso known as Helena Schjerfbeck, H. S. Schjerfbeck, H. Schjerfbeck, Helene. Schjerfbeck, Helene Scherfbeck, Helene Sofia Schjerfbeck
Finnish painter (1862–1946)
Key facts
- Born
- Helena Sofia Schjerfbeck , ( 1862-07-10 ) July 10, 1862, Helsinki , Grand Duchy of Finland
- Died
- January 23, 1946 (1946-01-23) (aged 83), Saltsjöbaden , Sweden
- Education
- Finnish Art Society School of Drawing; Académie Colarossi , Paris
- Known for
- Painting
- Movement
- Naturalism (arts) , Realism and Expressionism
- Awards
- Order of the White Rose of Finland
via Wikipedia infobox
Wikidata facts
- Instance of
- human
- Given name
- Helena
- Gender
- female
- Citizenship
- Grand Duchy of Finland
- Place of birth
- Helsinki
- Place of death
- Saltsjöbaden
- Sibling
- Magnus Schjerfbeck
- Educated at
- Académie Colarossi
- Languages spoken
- Swedish
- Native language
- Swedish
- Student of
- Gustave-Claude-Étienne Courtois
- Field of work
- painting
- Genre
- portrait
- Movement
- realism
- Image
- Schjerfbeck.jpg
- Work location
- Italy
Show 11 more facts
- Commons category
- Helene Schjerfbeck
- date of birth
- 1862-07-10
- date of death
- 1946-01-23
- place of burial
- Hietaniemi cemetery
- birth name
- Helena Sofia Schjerfbeck
- Commons Creator page
- Helene Schjerfbeck
- pseudonym
- Helene Schjerfbeck
- has works in the collection
- Musée d'Orsay
- ethnic group
- Finland Swedes
- student
- Hilda Flodin
- significant person
- Ada Thilén
via Wikidata · CC0
~15 min read
Encyclopedic overview
Helena Sofia (Helene) Schjerfbeck ( pronounced [heˈleːn ˈʃæ̌rvbek] ; July 10, 1862 – January 23, 1946) was a Finnish modernist painter known for her realist works and self-portraits, and also for her landscapes and still lifes. Throughout her long life her work changed dramatically, beginning with French-influenced realism and plein air painting. It gradually evolved towards portraits and still life paintings. At the beginning of her career she often produced historical paintings, such as the Wounded Warrior in the Snow (1880), At the Door of Linköping Jail in 1600 (1882) and The Death of Wilhelm von Schwerin (1886). Historical paintings were usually the realm of male painters, as was experimentation with modern influences and French radical naturalism, and her works from mostly the 1880s did not receive a favourable reception until later in her life.
Her work starts with a dazzlingly skilled, somewhat melancholic version of late-19th-century academic realism.... It ends with distilled, nearly abstract images in which pure paint and cryptic description are held in perfect balance. (Roberta Smith, The New York Times, November 27, 1992)
Excerpted from Wikipedia’s “Helene Schjerfbeck” article, available under the CC BY-SA 4.0 licence.