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Helene Schjerfbeck

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EntityQ236985· pop 41· linked from 63 articles

Helene Schjerfbeck

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Also known as Helena Schjerfbeck, H. S. Schjerfbeck, H. Schjerfbeck, Helene. Schjerfbeck, Helene Scherfbeck, Helene Sofia Schjerfbeck

Finnish painter (1862–1946)

Key facts

Born
Helena Sofia Schjerfbeck , ( 1862-07-10 ) July 10, 1862, Helsinki , Grand Duchy of Finland
Died
January 23, 1946 (1946-01-23) (aged 83), Saltsjöbaden , Sweden
Education
Finnish Art Society School of Drawing; Académie Colarossi , Paris
Known for
Painting
Movement
Naturalism (arts) , Realism and Expressionism
Awards
Order of the White Rose of Finland

via Wikipedia infobox

Wikidata facts

Instance of
human
Given name
Helena
Gender
female
Place of birth
Helsinki
Place of death
Saltsjöbaden
Languages spoken
Swedish
Native language
Swedish
Field of work
painting
Movement
realism
Image
Schjerfbeck.jpg
Work location
Italy
Show 11 more facts
Commons category
Helene Schjerfbeck
date of birth
1862-07-10
date of death
1946-01-23
place of burial
Hietaniemi cemetery
birth name
Helena Sofia Schjerfbeck
Commons Creator page
Helene Schjerfbeck
pseudonym
Helene Schjerfbeck
has works in the collection
Musée d'Orsay
ethnic group
Finland Swedes
significant person
Ada Thilén
Sources (4)

via Wikidata · CC0

~15 min read

Encyclopedic overview

Helena Sofia (Helene) Schjerfbeck ( pronounced [heˈleːn ˈʃæ̌rvbek] ; July 10, 1862 – January 23, 1946) was a Finnish modernist painter known for her realist works and self-portraits, and also for her landscapes and still lifes. Throughout her long life her work changed dramatically, beginning with French-influenced realism and plein air painting. It gradually evolved towards portraits and still life paintings. At the beginning of her career she often produced historical paintings, such as the Wounded Warrior in the Snow (1880), At the Door of Linköping Jail in 1600 (1882) and The Death of Wilhelm von Schwerin (1886). Historical paintings were usually the realm of male painters, as was experimentation with modern influences and French radical naturalism, and her works from mostly the 1880s did not receive a favourable reception until later in her life.

Her work starts with a dazzlingly skilled, somewhat melancholic version of late-19th-century academic realism.... It ends with distilled, nearly abstract images in which pure paint and cryptic description are held in perfect balance. (Roberta Smith, The New York Times, November 27, 1992)

Excerpted from Wikipedia’s “Helene Schjerfbeck” article, available under the CC BY-SA 4.0 licence.