Hypotyposis
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Encyclopedic overview
24 sectionsContents
- Definition of the figure
- Etymology
- Definition and variants
- The prosopopeia
- The topography
- The ethopoeia
- Diatyposis
- A similar figure of speech: the ekphrasis
- Two types of hypotyposes
- The "descriptive hypotyposis”
- The "rhetorical hypotyposis"
- The confusion of hypotyposis with simple description
- Stylistics of hypotyposis
- Literary uses of the figure
- A figure of enunciation
- Genres concerned
- In the art of oratory
- At the theater
- In the novel
- In poetry
- In the other arts
- Related figures
- References
- Bibliography
thumb|Lawrence Alma-Tadema, ''La Mort d'Hippolyte, 1860. Hypotyposis /ˌhaɪpətaɪˈpoʊsɪs/ (from the ancient Greek ὑποτύπωσις/hupotúpôsis'', "sketch, model ") is a figure of speech consisting of a realistic, animated, and striking description of the scene of which one wants to give an imagined representation and as if experienced at the moment of its expression. The speech of the nurse in the Prologue of Euripides' Medea, Racine's "dream of Athalie" in the play of the same name, Cicero's portrait of Clodius in his Pro Milone, or Émile Zola's description of the alembic in his novel ''L'Assommoir are examples of hypotyposes.
It can take the form of an enumeration of concrete details to such an extent that one can say that it crosses the conditions of form proper to a figure of speech. Indeed, the figure can easily go beyond the framework of the sentence to develop over several sentences or even several pages.
Excerpted from Wikipedia’s “Hypotyposis” article, available under the CC BY-SA 4.0 licence.