Also known as Beggarstaffs, Beggarstaff Brothers
thumb|250px|Signature of the Beggarstaffs The Beggarstaffs, otherwise J. & W. Beggarstaff, was the pseudonym used by the British artists William Nicholson and James Pryde for their collaborative partnership in the design of posters and other graphic work between 1894 and 1899. They are sometimes referred to as the Beggarstaff Brothers, but did not use this name.
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thumb|250px|Signature of the Beggarstaffs The Beggarstaffs, otherwise J. & W. Beggarstaff, was the pseudonym used by the British artists William Nicholson and James Pryde for their collaborative partnership in the design of posters and other graphic work between 1894 and 1899. They are sometimes referred to as the Beggarstaff Brothers, but did not use this name.
==The partnership== thumb|250px|Portrait Study of W.P. Nicholson, lithograph portrait of William Nicholson by James Pryde, published in The Studio, December 1897 thumb|250px|Portrait of James Pryde by William Nicholson, woodcut, 1899; published in The Studio, July 1901 William Nicholson met his future wife Mabel "Prydie" Pryde in 1888 or 1889 at Hubert Herkomer's art school at Bushey, Herts, where both were students. He met her elder brother James, who was also an artist, at about the same time. In 1893, Nicholson and Prydie eloped and were secretly married at Ruislip on 25 April. They went to live in what had been a pub, the Eight Bells at Denham, Bucks. James Pryde soon visited them, and stayed for almost two years. Other visitors to the house included the actor Edward Gordon Craig and his wife May, who had also recently eloped and were living in a cottage in Uxbridge rented from Craig's mother, the famous actress Ellen Terry. In the summer of 1894 Craig was preparing to go on tour with the Shakespearean Company of W.S. Hardy, for whom he was to play, among other roles, that of Hamlet. The part was an important one for him, and he asked Pryde and Nicholson to design and produce a poster to publicise the production. It was their first collaboration.
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