File:Jacques_Rivette_5_(cropped).jpg · Wikimedia Commons · See Wikimedia Commons
Jacques Rivette
Sign in to saveFrench film director, screenwriter and film critic (1928–2016)
Film & TV
Rouen, Seine-Maritime, Haute-Normandie, France
Jacques Rivette (March 1, 1928 - January 29, 2016) was a French film director. With Jean-Luc Godard, Jacques Rivette was one of the more experimental of the French New Wave (nouvelle vague) directors. In common with many of his peers, he had a background in film criticism, where he expressed his admiration for popular American cinema, especially genre directors such as Robert Aldrich, Howard…
Known for
- Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited — Self2024
- Conversation entre Jean-Luc Godard et Jacques Rivette — Self2017
- Die Geheimnisse von Paris — Himself2012
- Nouvelle Vague : El cine sin dogmas — Self2000
- Up, Down, Fragile — Man at Crepe/Hot Dog Stand1995
- Lumière & Company — Self1995
- Joan the Maid I: The Battles — Priest (uncredited)1994
- Jacques Rivette, the Watchman — Self - Director1990
- Short Memory — Marcel Jaucourt1982
- Merry-Go-Round — Man entering car (cameo)1981
via TMDB
Key facts
- Born
- Jacques Pierre Louis Rivette , ( 1928-03-01 ) 1 March 1928, Rouen , France
- Died
- 29 January 2016 (2016-01-29) (aged 87), Paris, France
- Occupations
- Film director, film critic, theatrical director
- Years active
- 1948–2009
- Known for
- L'amour fou , Out 1 , Celine and Julie Go Boating , Le Pont du Nord , La Belle Noiseuse
- Movement
- French New Wave
- Spouse s
- Marilù Parolini (divorced), Véronique Manniez-Rivette (his death)
- Awards
- Sutherland Trophy Grand Prix Prix Méliès
via Wikipedia infobox
Wikidata facts
- Instance of
- human
- Given name
- Jacques
- Gender
- male
- Citizenship
- France
- Place of birth
- Rouen
- Place of death
- 6th arrondissement of Paris
- Occupation
- director
- Position held
- editor-in-chief
- Educated at
- Lycée Pierre-Corneille
- Employer
- Cahiers du cinéma
- Languages spoken
- French
- Award
- Leopard of Honour
- Field of work
- film criticism
- Movement
- French New Wave
- Image
- Jacques Rivette 5.jpg
- Residence
- Rouen
Show 18 more facts
- cause of death
- Alzheimer's disease
- date of birth
- 1928-03-01
- medical condition
- Alzheimer's disease
- nominated for
- César Award for Best Film
- Commons category
- Jacques Rivette
- date of death
- 2016-01-29
- influenced by
- Honoré de Balzac
- topic's main category
- Category:Jacques Rivette
- place of burial
- Montmartre Cemetery
- name in native language
- Jacques Rivette
- has works in the collection
- Museum of Modern Art
- archives at
- Cinémathèque Française
- related category
- Category:Films directed by Jacques Rivette
- start of work period
- 1948-00-00
- end of work period
- 2009-00-00
- birth name
- Jacques Pierre Louis Rivette
- notable role
- The Nun
- manner of death
- natural causes
Sources (14)
via Wikidata · CC0
~40 min read
Encyclopedic overview
Jacques Rivette ( French: [ʒak ʁivɛt]; 1 March 1928 – 29 January 2016) was a French film director and film critic most commonly associated with the French New Wave and the film magazine Cahiers du Cinéma. He made twenty-nine films, including L'Amour fou (1969), Out 1 (1971), Céline and Julie Go Boating (1974), and La Belle Noiseuse (1991). His work is noted for its improvisation, loose narratives, and lengthy running times.
Inspired by Jean Cocteau to become a filmmaker, Rivette shot his first short film at age twenty. He moved to Paris to pursue his career, frequenting Henri Langlois' Cinémathèque Française and other ciné-clubs; there, he met François Truffaut, Jean-Luc Godard, Éric Rohmer, Claude Chabrol and other future members of the New Wave. Rivette began writing film criticism, and was hired by André Bazin for Cahiers du Cinéma in 1953. In his criticism, he expressed an admiration for American films – especially those of genre directors such as John Ford, Alfred Hitchcock and Nicholas Ray – and was deeply critical of mainstream French cinema. Rivette's articles, admired by his peers, were considered the magazine's best and most aggressive writings, particularly his 1961 article "On Abjection" and his influential series of interviews with film directors co-written with Truffaut. He continued making short films, including Le Coup de Berger, which is often cited as the first New Wave film. Truffaut later credited Rivette with developing the movement.
Excerpted from Wikipedia’s “Jacques Rivette” article, available under the CC BY-SA 4.0 licence.