Johannes Bosboom

Recent publications · Crossref

5 total works indexed

1. Fiji: an open-source platform for biological-image analysis

   · 2012 · cited 65,089x

2. SciPy 1.0: fundamental algorithms for scientific computing in Python

   · 2020 · cited 34,693x

3. The ERA5 global reanalysis

   · 2020 · cited 22,778x

4. LINCS: A linear constraint solver for molecular simulations

   · 1997 · cited 14,355x

5. Fast, scalable generation of high‐quality protein multiple sequence alignments using Clustal Omega

   · 2011 · cited 14,291x

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Quotes

• “..truly, if I sometimes of my work under the eyes, I love a genre [churches!], which in the fullest sense of saying may be called 'mine'. [the word 'mine' double underlined]”
• “As a schoolboy drawing-lessons became my favorite, and that pleasure was not ignited a little when, by the time of my twelfth year, the cityscape-painter B. J. van Hove became our neighbor. Since then I began to long for the moment that I would be allowed to change the school bench for a place in his studio. That desire was already satisfied in the autumn of [18]31.”
• “In [18]35, I made a study trip about Utrecht and Nijmegen to Dusseldorf, Cologne and [w:Koblenz|Coblentz]], together with Samuel Verveer, who had already left the studio of van Hove. My painting 'View of the Moselle Bridge in Coblentz' – exhibited in the same year here - was bought by Schelfhout and, in addition to the satisfaction it gave me, I was allowed to find a counselor in him from then on; he became and remained my friend since then.”
• “..how with the [[w:Romanticism|[Dutch] Romantic movement]] after 1830 also the love awakened for everything that recalled former times to the mind - including the period of the middle-ages -, and how the sigh grew from it to collect all kind of objects that reassured the taste of those times. Here too, the celebrated [Dutch romantic painter] Nuyen stood in front.”
• “To show this later progress in my own work I refer to my [paintings] 'Organ-playing monk', in 1850, my 'Lord's Supper in the Geestes-kerk (church) in Utrecht' in 1852, and my 'Bakenesse-kerk (church) in Haarlem', painted a dozen years later. All three can be found in the museum Fodor and can thus be compared to each other. The preference will undoubtedly be given to the latter, which for its strength and unity is counted among the masterpieces of this [Fodor] collection.”
• “The [[w:Romanticism|romantic [Dutch] movement]] under the leadership of the geniuses Nuyen [c. 1830] also attracted me to follow. And in spite of the fact that in this way people lost their color and embellishment and often degenerating into chic, later on, a more sensible search arose for enlivening of coloration, heightening effect and strengthening the relief.”

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Wikidata facts

Image

Portrait of Johannes Bosboom by Maurits Verveer RKD.jpg

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