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José Enrique Rodó

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José Enrique Rodó

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Also known as Jose Enrique Rodo, Xose Rodo

Uruguayan writer (1871–1917)

Person · Open Library

Born
1871
Died
1917
Works
10

via Open Library + Wikidata

Music · MusicBrainz

Type
Person
Country
GB

via MusicBrainz · CC0

Key facts

Born
José Enrique Camilo Rodó Piñeyro , ( 1871-07-15 ) July 15, 1871, Montevideo , Uruguay
Died
May 1, 1917 (1917-05-01) (aged 45), Palermo , Italy
Occupation
essayist

via Wikipedia infobox

Wikidata facts

Instance of
human
Gender
male
Citizenship
Uruguay
Place of birth
Montevideo
Place of death
Palermo
Occupation
philosopher
Political party
Colorado Party
Languages spoken
Spanish
Genre
essay
Image
José Enrique Rodó.jpg
Show 8 more facts
Commons category
José Enrique Rodó
date of birth
1871-07-15
date of death
1917-05-01
place of burial
Central Cemetery
different from
José Enrique Rodó
Commons Creator page
José Enrique Rodó
name in native language
José Enrique Rodó
pseudonym
Vincy
Sources (4)

via Wikidata · CC0

Works in European collections

23 objects attributed to José Enrique Rodó, held across European museums, libraries & archives · via Europeana

~10 min read

Encyclopedic overview

José Enrique Camilo Rodó Piñeyro (15 July 1871 – 1 May 1917) was a Uruguayan essayist. He cultivated an epistolary relationship with important Hispanic thinkers of that time, Leopoldo Alas (Clarín) in Spain, José de la Riva-Agüero in Peru, and, most importantly, with Rubén Darío, the most influential Latin American poet to date, the founder of modernismo. As a result of his refined prose style and the modernista ideology he pushed, Rodó is today considered the preeminent theorist of the modernista school of literature.

Rodó is best known for his essay Ariel (1900), drawn from The Tempest, in which Ariel represents the positive, and Caliban represents the negative tendencies in human nature, and they debate the future course of history, in what Rodó intended to be a secular sermon to Latin American youth, championing the cause of the classical western tradition. What Rodó was afraid of was the debilitating effect of working individuals' limited existence doing the same work, over and over again, never having time to develop the spirit. Parque Rodó, one of the main parks in Montevideo, was named after him.

Excerpted from Wikipedia’s “José Enrique Rodó” article, available under the CC BY-SA 4.0 licence.