Skip to content
Kumārasaṃbhava

Cover via Open Library · Open Library

EntityQ2588473· pop 18· linked from 85 articles

Kumārasaṃbhava

Sign in to save

Also known as The Birth of the War God, Kumārasambhava

Kumārasambhavam ( ) (transl. - "The Birth of Kumāra") is an epic poem by Kālidāsa. It is widely regarded as the finest work of Kalidasa as well as the greatest kāvya poem in Classical Sanskrit. The style of description of spring set the standard for nature metaphors pervading many centuries of Indian literary tradition. Kumārasaṃbhavam narrates the birth of Kumāra (Kārtikeya), the son of Shiva (Śiva) and Pārvatī (Umā). The period of composition is uncertain, although Kalidasa is thought to have lived in the 5th century.

In the Vinony graph

Vinony's link graph records 85 inbound references to Kumārasaṃbhava, and connects out to Sanskrit, Kalidasa and Hinduism.

It sits within the topics Ancient Indian poems, Epic poems in Sanskrit and Hindu poetry.

Vinony links it to 15 Wikipedia language editions.

Book · Open Library

Author
Kālidāsa
First published
1838
Editions
38
Subjects
Works by individual poets: classical, early & medieval, Literature: Classics, Fiction - Fantasy, Literary Collections, Poetry, Fantasy - General, Ancient, Classical & Medieval, Kåarttikeya (Hindu deity)

via Open Library

Wikidata facts

Show 2 more facts
Commons category
Kumārasambhava
inception
0500-00-00
Sources (1)

via Wikidata · CC0

~12 min read

Encyclopedic overview

16 sections
Contents
  • Contents
  • Canto I (Uma's Nativity)
  • Canto II (The Address to Brahma)
  • Canto III (The Burning of Kama)
  • Canto IV (Rati's Lament)
  • Canto V (Uma's Reward)
  • Canto VI (Uma's Espousals)
  • Canto VII (Uma's Bridal)
  • Canto VIII (The Description of Uma’s Pleasure)
  • Dispute and criticisms
  • Authenticity of Canto IX-XVII
  • Censorship of Canto VIII
  • Adaptations
  • References
  • Bibliography
  • External links

Kumārasambhavam ( ) (transl. - "The Birth of Kumāra") is an epic poem by Kālidāsa. It is widely regarded as the finest work of Kalidasa as well as the greatest kāvya poem in Classical Sanskrit. The style of description of spring set the standard for nature metaphors pervading many centuries of Indian literary tradition. Kumārasaṃbhavam narrates the birth of Kumāra (Kārtikeya), the son of Shiva (Śiva) and Pārvatī (Umā). The period of composition is uncertain, although Kalidasa is thought to have lived in the 5th century.

A fierce debate has raged over the question as to whether the whole of the seventeen cantos came was penned by Kālidasa. Vitthala Śastrin, who in 1866, published Cantos VIII to XVII in The Paṇḍit, took them as genuine work of Kālidasa while scholars like Hermann Jacobi took Cantos IX to XVII as a later interpolation. Stylistic inferiority of these cantos, rarity of manuscripts, silence on the part of early commentators and lack of citation in Alaṃkārasutra are often presented as reasons for rejecting this latter cantos of the poem.

Excerpted from Wikipedia’s “Kumārasaṃbhava” article, available under the CC BY-SA 4.0 licence.

Connections

Categories