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Lonely Among Us
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7th episode of the first season of Star Trek: The Next Generation
Described at
Lonely Among Us « Mission Log Podcast
missionlogpodcast.com →The Enterprise is carrying delegations from two warring races to a neutral planet for negotiations. They may as well not be there though. The REAL story is that energy cloud the Enterprise skimmed along the way. What was in it? And did something come out of it? Find out when we put Lonely Among Us in the Mission Log. I used to be one of those people who had absolutely no use for TNG Season 1. From the time of its original airing up until a few years ago, I never got any joy or value out of TNG Season 1 and found much or most of it literally unwatchable. Then, a few years ago, something just clicked with me and I’ve been able to enjoy TNG Season 1—for what it is, taking into account that it’s the first season of a new show that was still finding its way but would eventually become fantastic—ever since. Analyzing myself and my own reactions to TNG Season 1, my best guess is that there are two main problems that people have with it: (1) The pacing. The storytelling is not as tight as TNG would eventually become gradually throughout Season 2 and finally hitting its stride in Season 3. I remember my younger self becoming easily bored with Season 1 and just not connecting with the narrative style. (2) Target audience. I struggle to find the right words to express what I mean here, but my gut feeling is that Season 1 was written with a somewhat older, more mature audience in mind than Season 3 onward. The pacing, the emotional beats, the way that the episodes (like “Justice”) are very theme-centered like TOS episodes…it all seems to require the patience of a more mature viewer. I’m not suggesting that Season 1 is superior to any other season of TNG, but there’s a lot more value in it than many people, including my younger self, give it credit for. Episodes like “Code of Honor” I still skip over; but I’m actually able to appreciate, for example, “Skin of Evil,” for what it is and what the writers were going for. If you can look past the goofiness of the Tar Monster and the arbitrariness of Tasha’s death (as a way of eliminating a character), the main theme of the story, as played out by the hateful, lonely Tar Monster, is actually interesting and meaningful and indeed allegorical. And the way that the crew react to Tasha’s death, with Data pointing out that it’s really her friends that are suffering for her absence, is touching and again meaningful. Finally, as I’ve taken to watching Indie/Fan Trek productions, I’ve gained new appreciation for how many things actually were done well in TNG Season 1, things that I’d theretofore taken for granted. And again, like many other people, I got spoiled on TNG Seasons 3 onward, and Season 1 suffers by comparison. I liked Lt Singh! He seemed like a guy who was friendly and affable (in his non-condescending attitude towards Wesley) while remaining competent at his job. As for the Anticans and Selay: I haven’t seen this in years, but in my head, at the end when Yar announced that it looks like the Anticans have killed one of the Selay delegates and want the body cooked, and Picard leaves Riker to clean up the mess, I could hear the old TOS music whenever they wound up one of their episodes on a whimsy. Dude, there’s been a murder on your ship! The murder of a delegate! And this is how they coda the story?
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Wikidata facts
- Genre
- science fiction
- Country of origin
- United States
- Original language
- English language
- Followed by
- Justice
- Follows
- Where No One Has Gone Before
- Director
- Les Landau
- Screenwriter
- D. C. Fontana
- Cast member
- Michael Dorn
- Duration
- 45
- Distribution format
- VHS
Show 14 more facts
- production code
- 108
- described at URL
- missionlogpodcast.com/lonely-among-us
- publication date
- 1990-10-19
- date of first performance
- 1987-11-02
- title
- Idegenek közöttünk
- aspect ratio (W:H)
- 4:3
- set in period
- 24th century
- characters
- Miles O'Brien
- media franchise
- Star Trek
- distributed by
- Netflix
- set in environment
- fictional planet
- entry in abbreviations table
- la
- P8979
- 1255
Sources (11)
via Wikidata · CC0