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Lucy Kaplansky
Sign in to saveAmerican singer-songwriter
Music · MusicBrainz
- Type
- Person
- Gender
- Female
- Country
- United States
- Active from
- 1960
Discography
- The Tide1994
- Flesh and Bone1996
- Ten Year Night1999
- Every Single Day2001
- The Red Thread2004
- Over the Hills2007
- Kaplansky Sings Kaplansky2011
- Reunion2012
- Everyday Street2018
- Last Days of Summer2022
Member of
via MusicBrainz · CC0
Listeners · Last.fm
- Listeners
- 78,273
- Total plays
- 474,993
Tags
Lucy Kaplansky (born 1960) is a folk musician. Originally from Chicago, at the age of 18 she moved to New York City, where she became involved in the city's Greenwich Village folk music scene. In 1983, she decided to become a psychologist, enrolling in Yeshiva University. She continued playing music while completing her PhD, and began to have some success as part of a duo with Shawn Colvin. However, when they began to attract record company interest <a href="https://www.last.fm/music/Lucy+Kapla
Recent publications · Crossref
5 total works indexed
- A New Equation to Estimate Glomerular Filtration Rate
· 2009 · cited 22,561x
- Welcome to the Tidyverse
· 2019 · cited 20,393x
- Initial sequencing and analysis of the human genome
· 2001 · cited 18,605x
- ROBINS-I: a tool for assessing risk of bias in non-randomised studies of interventions
· 2016 · cited 15,397x
- Signatures of mutational processes in human cancer
· 2013 · cited 8,800x
via Crossref · CC0
Official website
“Lucy Kaplansky is a truly gifted performer with a bag full of enchanting songs.” THE NEW YORKER “Kaplansky weaves fragile lives together, making even tenuous connections as palpable as flesh and blood.” USA TODAY “New York songwriter Lucy Kaplansky is becoming the troubadour laureate of modern folk.” THE BOSTON GLOBE I’m thrilled to announce the release of my first solo album in six years, Everyday Street . It’s the most acoustically based, intimate album I’ve ever made: just me and multi-instrumentalist Duke Levine ( J. Geils Band, Mary Chapin Carpenter ), and features harmonies by my old friends Shawn Colvin and Richard Shindell . My fans have been asking me for awhile to make a record that’s reflective of my live shows, stripped down, spontaneous, acoustic, with the feel of one of my concerts. The songs were recorded over four days with my long-time collaborator Duke Levine on acoustic guitar, electric guitar, mandola, National guitar, and octave mandolin, and me on acoustic guitar, mandolin and piano. These are genuine performances, many were captured in one take. As a result, the sound and feel of the album is more acoustic, even bluegrassy at times, with all the intimacy of a live show. The songs on Everyday Street, co-written with my husband Richard Litvin, weave stories of joy, friendship, family, loss and discovery. The opening song, “Old Friends,” a duet with my long-time friend Shawn Colvin, is a reflection on our friendship and on our times together in the early days of the Greenwich Village folk scene. “Keeping Time,” with Richard Shindell on harmony, is from my vantage point as a mother sharing our neighborhood’s rhythms, albeit from a distance, with the late actor and father of three Philip Seymour Hoffman . “Janie’s Waltz” is about the beauty and grace of an ordinary day. The everyday streets of my long-time home, Greenwich Village in New York City, are woven throughout this recording. There are also four cover songs which have all been fan favorites from my shows, including Bruce Springsteen’s “Thunder Road,” Nanci Griffith’s “I Wish it Would Rain,” and the traditional Scottish song “Loch Lomond.” There is also a re-imagined version of the title song of my first album, The Tide . The music business has changed dramatically since my 2012 release Reunion . Streaming services, and limited radio and press outlets, have made it more challenging for musicians to earn a living selling their recordings. With this release I have chosen to use social media to engage my existing fanbase, and to make the album available only through my website and at my shows, and not on streaming services. I am taking advantage of my faith in my own music and musicianship, and my ability to engage and move people. I’ve had a long and exciting career in music and I intend to keep that career by adjusting the way I promote and sell my recordings. While the industry may have changed, live and recorded music is as vital and important as ever.
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