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Mariano Azuela

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Also known as Mariano Azuela Gonzalez, Mariano Azuela González

Mexican author and physician (1873–1952)

Key facts

Born
January 1, 1873, Lagos de Moreno , Jalisco , United Mexican States
Died
1 March 1952 (1952-03-01) (aged 79), Mexico City , Mexico
Occupation
Writer, literary critic, medician, politician
Genres
Novel, play, essay

via Wikipedia infobox

Wikidata facts

Instance of
human
Given name
Mariano
Gender
male
Citizenship
Mexico
Place of birth
Lagos de Moreno
Place of death
Mexico City
Occupation
novelist
Languages spoken
Spanish
Notable work
The Underdogs
Image
Azuela mariano.jpg
Show 6 more facts
place of burial
Panteón de Dolores
date of birth
1873-01-01
date of death
1952-03-01
birth name
Mariano Azuela González
second family name in Spanish name
González
has works in the collection
Biblioteca Virtual Miguel de Cervantes
Sources (5)

via Wikidata · CC0

~11 min read

Encyclopedic overview

Mariano Azuela González (January 1, 1873 – March 1, 1952) was a Mexican writer and medical doctor, best known for his fictional stories of the Mexican Revolution of 1910. He wrote novels, works for theatre and literary criticism. He is the first of the "novelists of the Revolution," and he influenced other Mexican novelists of social protest.

Among Azuela's first published writing were some short pieces for the magazine Gil Blas Cómico, where he wrote under the pen name of "Beleño", and his writing published under the heading Impresiones de un estudiante (Impressions of a Student) in 1896. His first novel, Maria Luisa, was written in 1907, followed by Los fracasados (The Failures) in 1908, and Mala yerba (Weeds) in 1909. The theme of his beginning novels are about fate. He wrote of the social life of Mexicans during the Díaz dictatorship. After experiencing the Mexican Revolution first-hand, his writing style became sarcastic and disillusioned. His first novel with the Revolution theme is Andrés Pérez, maderista in 1911, followed by Sin Amor (Without Love) in 1912, and his most popular, Los de abajo (The Underdogs) in 1915. He continued to write short works and novels influenced by the Revolution. It includes El camarada Pantoja (Comrade Pantoja) in 1937, Regina Landa in 1939, La nueva burguesía (The New Bourgeoisie) in 1941, and La maldición (The Curse, published posthumously) in 1955. These works mainly depicts the satirical picture of life in post revolutionary Mexico sharply and angrily stigmatizing demagoguery and political intrigue.

Excerpted from Wikipedia’s “Mariano Azuela” article, available under the CC BY-SA 4.0 licence.