Mariano Azuela
Sign in to saveAlso known as Mariano Azuela Gonzalez, Mariano Azuela González
Mexican author and physician (1873–1952)
Key facts
- Born
- January 1, 1873, Lagos de Moreno , Jalisco , United Mexican States
- Died
- 1 March 1952 (1952-03-01) (aged 79), Mexico City , Mexico
- Occupation
- Writer, literary critic, medician, politician
- Genres
- Novel, play, essay
via Wikipedia infobox
Wikidata facts
- Instance of
- human
- Given name
- Mariano
- Gender
- male
- Citizenship
- Mexico
- Place of birth
- Lagos de Moreno
- Place of death
- Mexico City
- Occupation
- novelist
- Languages spoken
- Spanish
- Notable work
- The Underdogs
- Genre
- literary criticism
- Image
- Azuela mariano.jpg
Show 6 more facts
- place of burial
- Panteón de Dolores
- date of birth
- 1873-01-01
- date of death
- 1952-03-01
- birth name
- Mariano Azuela González
- second family name in Spanish name
- González
- has works in the collection
- Biblioteca Virtual Miguel de Cervantes
via Wikidata · CC0
~11 min read
Encyclopedic overview
Mariano Azuela González (January 1, 1873 – March 1, 1952) was a Mexican writer and medical doctor, best known for his fictional stories of the Mexican Revolution of 1910. He wrote novels, works for theatre and literary criticism. He is the first of the "novelists of the Revolution," and he influenced other Mexican novelists of social protest.
Among Azuela's first published writing were some short pieces for the magazine Gil Blas Cómico, where he wrote under the pen name of "Beleño", and his writing published under the heading Impresiones de un estudiante (Impressions of a Student) in 1896. His first novel, Maria Luisa, was written in 1907, followed by Los fracasados (The Failures) in 1908, and Mala yerba (Weeds) in 1909. The theme of his beginning novels are about fate. He wrote of the social life of Mexicans during the Díaz dictatorship. After experiencing the Mexican Revolution first-hand, his writing style became sarcastic and disillusioned. His first novel with the Revolution theme is Andrés Pérez, maderista in 1911, followed by Sin Amor (Without Love) in 1912, and his most popular, Los de abajo (The Underdogs) in 1915. He continued to write short works and novels influenced by the Revolution. It includes El camarada Pantoja (Comrade Pantoja) in 1937, Regina Landa in 1939, La nueva burguesía (The New Bourgeoisie) in 1941, and La maldición (The Curse, published posthumously) in 1955. These works mainly depicts the satirical picture of life in post revolutionary Mexico sharply and angrily stigmatizing demagoguery and political intrigue.
Excerpted from Wikipedia’s “Mariano Azuela” article, available under the CC BY-SA 4.0 licence.