Skip to content
Márta Mészáros

Profile via TMDB · Courtesy of TMDB

EntityQ257427· pop 31· linked from 131 articles

Márta Mészáros

Sign in to save

Also known as Marta Meszaros

Hungarian screenwriter and film director (born 1931)

Person · Open Library

Works
2

Top works

  • Aurora borealis
  • Szecesszió az Alföldön
  • Kisvilma

via Open Library + Wikidata

Film & TV

Directing · Budapest, Hungary

Márta Mészáros (born 19 September 1931) is a Hungarian screenwriter and film director. The daughter of László Mészáros, a sculptor, Mészáros began her career working in documentary film, having made 25 documentary shorts over the span of ten years. Her full-length directorial debut, Eltavozott nap/The Girl (1968), was the first Hungarian film to have been directed by a woman, and won the Special…

Known for

  • Negative history of Hungarian cinema — Self2010
  • Still Alive: A Film About Krzysztof Kieslowski — Self2006
  • Notes in Lifestyle Margins2002
  • Marta Meszaros: Portrait of the Hungarian Filmmaker — Self1979
  • Les Rendez-vous du dimanche — Self1975

via TMDB

Music · MusicBrainz

via MusicBrainz · CC0

Key facts

Born
( 1931-09-19 ) 19 September 1931 (age 94) , Budapest , Hungary
Occupations
Film director screenwriter
Years active
1954–present
Spouse s
László Karda (1957–1959) (divorced), Miklós Jancsó (1960–1973) (divorced) (3 children), Jan Nowicki (?-2008) (divorced)

via Wikipedia infobox

~10 min read

Encyclopedic overview

Márta Mészáros (born 19 September 1931) is a Hungarian screenwriter and film director. The daughter of László Mészáros, a sculptor, Mészáros began her career working in documentary film, having made 25 documentary shorts over the span of ten years. Her full-length directorial debut, Eltávozott nap/The Girl (1968), was the first Hungarian film to have been directed by a woman, and won the Special Prize of the Jury at the Valladolid International Film Festival.

Mészáros' work often combines autobiographical details with documentary footage. Prominent themes include characters' denials of their pasts, the consequences of dishonesty, and the problematics of gender. Her films often feature heroines from fragmented families, such as young girls seeking their missing parents (The Girl) or middle-aged women looking to adopt children (Adoption).

Excerpted from Wikipedia’s “Márta Mészáros” article, available under the CC BY-SA 4.0 licence.

Gallery (2)