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Maurice Pialat

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Maurice Pialat

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French filmmaker (1925-2003)

Film & TV

Cunlhat, Puy-de-Dôme, Auvergne, France

Maurice Pialat  (21 August 1925 – 11 January 2003) was a French film director, screenwriter and actor noted for the rigorous and unsentimental style of his films. His work is often described as being "realist", though many film critics acknowledge that it does not fit the traditional definition of realism.

Known for

  • Sophie Marceau, à voix haute — Self (archive footage)2026
  • Sous le soleil de Pialat — Self (archive footage)2021
  • Maurice Pialat, l'amour existe — Self (archival footage)2007
  • Vivement dimanche — Self1998
  • Under the Sun of Satan — Menou-Segrais1987
  • Grosse — Le réalisateur1985
  • 17ème jour de tournage du film "Police" — Self1984
  • A Nos Amours — Le Père1983
  • One Minute for One Image — Self - Narrator1983
  • Cinématon XXIV — N°2361982

via TMDB

Key facts

Born
( 1925-08-31 ) 31 August 1925, Cunlhat , France
Died
11 January 2003 (2003-01-11) (aged 77), Paris , France
Occupations
Film director, screenwriter

via Wikipedia infobox

Wikidata facts

Instance of
human
Given name
Roland
Gender
male
Citizenship
France
Place of birth
Cunlhat
Occupation
director
Languages spoken
French
Native language
French
Field of work
cinematography
Show 13 more facts
place of burial
Montparnasse Cemetery
manner of death
natural causes
date of death
2003-01-11
cause of death
kidney failure
name in native language
Maurice Pialat
date of birth
1925-08-31
topic has template
Template:Maurice Pialat
start of work period
1955-00-00
Commons category
Maurice Pialat
birth name
Maurice Roland Pialat
Sources (8)

via Wikidata · CC0

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Encyclopedic overview

Maurice Pialat ( French: [pjala]; 31 August 1925 – 11 January 2003) was a French film director, screenwriter and actor known for the rigorous and unsentimental style of his films. His work is often described as "realist", though many film critics acknowledge it does not fit the traditional definition of realism.

Pialat's films are said to have dispensed with mannerisms, and his everyday stories tell the bittersweet nature of the French petite bourgeoisie. This earned him the disregard of some critics, but also enduring popularity, with films characterized by a psychological narrative style, often set outside the metropolises.

Excerpted from Wikipedia’s “Maurice Pialat” article, available under the CC BY-SA 4.0 licence.