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Maximilian Schell
Sign in to saveSwiss and Austrian film and stage actor (1930–2014)
Maximilian Schell was a Swiss and Austrian actor who worked in both film and theater from 1930 until his death in 2014. He is remembered as a significant figure in European cinema and stage performance during the 20th century.
AI-generated from the Wikipedia summary — may contain errors.
Person · Open Library
- Works
- 11
Top works
- A Bridge Too Far
- Kontext und Dialog
- Wegbereitung der Versöhnung
- A patriot for me
- Ich fliege über dunkle Täler, oder, Etwas fehlt immer
via Open Library + Wikidata
Listeners · Last.fm
- Listeners
- 36
- Total plays
- 172
<a href="https://www.last.fm/music/Maximilian+Schell">Read more on Last.fm</a>
Recent publications · Crossref
5 total works indexed
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- The GTEx Consortium atlas of genetic regulatory effects across human tissues
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- The Astropy Project: Sustaining and Growing a Community-oriented Open-source Project and the Latest Major Release (v5.0) of the Core Package*
· 2022 · cited 4,936x
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~23 min read
Encyclopedic overview
Maximilian Schell (8 December 1930 – 1 February 2014) was a Swiss actor, theatre director, filmmaker, and musician of Austrian origin. He was one of the most internationally acclaimed German-speaking actors of his generation, earning accolades for his work on both screen and stage. Born and initially raised in Vienna, where his parents were involved in the arts, he grew up surrounded by performance and literature. While he was still a child, his family fled to Switzerland in 1938 when Austria was annexed by Nazi Germany, and they settled in Zürich. After the Second World War, Schell took up acting and directing full-time.
Schell won the Academy Award for Best Actor for playing a lawyer in the legal drama Judgment at Nuremberg (1961). He was Oscar-nominated for playing a character with multiple identities in The Man in the Glass Booth (1975) and for playing a man resisting Nazism in Julia (1977). Fluent in both English and German, Schell earned top billing in a number of Nazi-era themed films. He acted in films such as Topkapi (1964), The Deadly Affair (1967), Counterpoint (1968), Simón Bolívar (1969), The Odessa File (1974), A Bridge Too Far (1977), and Deep Impact (1998). He made his film directorial debut with the period romantic drama First Love (1970), and would be nominated for the German Film Award for Best Director three times.
Excerpted from Wikipedia’s “Maximilian Schell” article, available under the CC BY-SA 4.0 licence.
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