Wikidata facts
- Instance of
- human
- Gender
- male
- Citizenship
- United Kingdom
- Place of birth
- London Borough of Hillingdon
- Place of death
- London
- Occupation
- pacifist
- Languages spoken
- English language
- Notable work
- King Priam
- Student of
- R. O. Morris
- Field of work
- music
- Genre
- classical music
- Record label
- EMI Classics
- Official website
- michael-tippett.com
- Image
- Mittsommerhochzeit (Michael Kemp Tippett) - LABW - Generallandesarchiv Karlsruhe 57-3 Nr. 10444.jpg
- Residence
- Oxted
- Significant event
- imprisonment
Show 13 more facts
- date of birth
- 1905-01-02
- date of death
- 1998-01-09
- cause of death
- pneumonia
- member of
- Bavarian Academy of Fine Arts
- related category
- Category:Compositions by Michael Tippett
- name in native language
- Michael Tippett
- oral history at
- British Library of Political and Economic Science
- archives at
- British Library
- place of detention
- HMP Wormwood Scrubs
- P12749
- Karl Hein
- Commons category
- Michael Tippett
- manner of death
- natural causes
via Wikidata · CC0
Works in European collections
2 objects attributed to Michael Tippett, held across European museums, libraries & archives · via Europeana
~40 min read
Encyclopedic overview
Tippett late in life. He was active into his 90s. Sir Michael Kemp Tippett (2 January 1905 – 8 January 1998) was an English composer who rose to prominence during and immediately after the Second World War. In his lifetime he was sometimes ranked with his contemporary Benjamin Britten as one of the leading British composers of the 20th century. Among his best-known works are the oratorio A Child of Our Time, the orchestral Fantasia Concertante on a Theme of Corelli, and the opera The Midsummer Marriage.
Tippett's talent developed slowly. He withdrew or destroyed his earliest compositions, and was 30 before any of his works were published. Until the mid-to-late 1950s his music was broadly lyrical in character, before changing to a more astringent and experimental style. New influences—including those of jazz and blues after his first visit to America in 1965—became increasingly evident in his compositions. While Tippett's stature with the public continued to grow, not all critics approved of these changes in style, some believing that the quality of his work suffered as a consequence. From around 1976 his late works began to reflect the works of his youth through a return to lyricism. Although he was much honoured in his lifetime, critical judgement on Tippett's legacy has been uneven, the greatest praise generally reserved for his earlier works. His centenary in 2005 was a muted affair; apart from the few best-known works, his music has not been performed frequently in the 21st century.
Excerpted from Wikipedia’s “Michael Tippett” article, available under the CC BY-SA 4.0 licence.