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Michael Tippett

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Also known as Sir Michael Kemp Tippett

English composer (1905-1996)

Person · Open Library

Born
1905
Died
1998
Works
59

Top works

  • A child of our time
  • The midsummer marriage
  • Concerto for piano and orchestra (1953-5)
  • The knot garden
  • Concerto for orchestra

via Open Library + Wikidata

Listeners · Last.fm

Listeners
13,352
Total plays
102,548

Tags

Classicalcontemporary classicalcomposermodern classicalenglish

Sir Michael Kemp Tippett, O.M. (2 January 1905 – 8 January 1998) was one of the foremost English composers of the 20th century. Tippett was regarded by many as an outsider in British music, a view that may have been related to his early conscientious objection and his homosexuality. His pacifist beliefs led to a prison sentence in World War II, and for many years his music was considered ungratefully written for voices and instruments, and therefore difficult to perform. <a href="https://www.la

via Last.fm · Michael Tippett

Wikidata facts

Official website
michael-tippett.com
Image
Mittsommerhochzeit (Michael Kemp Tippett) - LABW - Generallandesarchiv Karlsruhe 57-3 Nr. 10444.jpg
Show 6 more facts
date of birth
1905-01-02
date of death
1998-01-09
name in native language
Michael Tippett
P12749
Karl Hein
Commons category
Michael Tippett
Sources (6)

via Wikidata · CC0

Works in European collections

2 objects attributed to Michael Tippett, held across European museums, libraries & archives · via Europeana

~40 min read

Article

Tippett late in life. He was active into his 90s. Sir Michael Kemp Tippett (2 January 1905 – 8 January 1998) was an English composer who rose to prominence during and immediately after the Second World War. In his lifetime he was sometimes ranked with his contemporary Benjamin Britten as one of the leading British composers of the 20th century. Among his best-known works are the oratorio A Child of Our Time, the orchestral Fantasia Concertante on a Theme of Corelli, and the opera The Midsummer Marriage.

Tippett's talent developed slowly. He withdrew or destroyed his earliest compositions, and was 30 before any of his works were published. Until the mid-to-late 1950s his music was broadly lyrical in character, before changing to a more astringent and experimental style. New influences—including those of jazz and blues after his first visit to America in 1965—became increasingly evident in his compositions. While Tippett's stature with the public continued to grow, not all critics approved of these changes in style, some believing that the quality of his work suffered as a consequence. From around 1976 his late works began to reflect the works of his youth through a return to lyricism. Although he was much honoured in his lifetime, critical judgement on Tippett's legacy has been uneven, the greatest praise generally reserved for his earlier works. His centenary in 2005 was a muted affair; apart from the few best-known works, his music has not been performed frequently in the 21st century.

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