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Michelangelo Antonioni
Sign in to saveItalian film director and screenwriter (1912–2007)
Michelangelo Antonioni was an Italian film director and screenwriter who lived from 1912 to 2007 and became known for shaping modern cinema with his distinctive artistic vision. His work matters because he significantly influenced how filmmakers approach storytelling and visual style in the twentieth century.
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- הבאולינג ההוא על הטיבר
- Zabriskie Point, di Michelangelo Antonioni
- That Bowling Alley on the Tiber
- L'aquilone
- Sei film
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Michelangelo Antonioni, Cavaliere di Gran Croce OMRI (29 September 1912 – 30 July 2007) was an Italian film director, screenwriter, editor, and short story writer. Best known for his "trilogy on modernity and its discontents"—L'Avventura (1960), La Notte (1961), and Eclipse (1962)—Antonioni "redefined the concept of narrative cinema" and challenged traditional approaches to storytelling, realism, drama, and the world at large. He produced "enigmatic and intricate mood pieces" and rejected action
Recent publications · Crossref
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- Safety and efficacy of the ChAdOx1 nCoV-19 vaccine (AZD1222) against SARS-CoV-2: an interim analysis of four randomised controlled trials in Brazil, South Africa, and the UK
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Quotes
- “My work is like digging, it's archaeological research among the arid materials of our times. That's how I understand my first films, and that's what I'm still doing...”
- “Hollywood is like being nowhere and talking to nobody about nothing.”
- “The photographer in Blow-Up, who is not a philosopher, wants to see things closer up. But it so happens that, by enlarging too far, the object itself decomposes and disappears. Hence there's a moment in which we grasp reality, but then the moment passes. This was in part the meaning of Blow-Up.”
- “I am not a theoretician of the cinema. If you ask me what directing is, the first answer that comes into my head is: I don't know.”
- “For me, from the moment when the first, still unformed, idea comes into my head until the projection of the rushes, the process of making a film constitutes a single piece of work. I mean that I cannot become interested in anything, day or night, which is not that film. Let no one imagine that this is a romantic pose — on the contrary. I become relatively more lucid, more attentive, and almost feel as if I were intelligent and more ready to understand.”
- “I rarely feel the desire to reread a scene the day before the shooting. Sometimes I arrive at the place where the work is to be done and I do not even know what I am going to shoot. This is the system I prefer: to arrive at the moment when shooting is about to begin, absolutely unprepared, virgin. I often ask to be left alone on the spot for fifteen minutes or half an hour and I let me thoughts wander freely.”
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Official website
Michelangelo Antonioni
Sito italiano dedicato a Michelangelo Antonioni, biografia, film, cortometraggi, documentari, approfondimenti, critica, premi e tutto quanto possa esaltare l'arte del grandissimo regista., Michelangelo Antonioni: biografia, film, cortometraggi, documentari, approfondimenti, critica, premi e tutto quanto possa esaltare l'arte del grandissimo regista
michelangeloantonioni.it →Link to the official site · 1,080 chars · not written by Vinony
~23 min read
Encyclopedic overview
Michelangelo Antonioni (/ˌæntoʊniˈoʊni/ AN-toh-nee-OH-nee or /ænˌtoʊ-/ an-TOH-; Italian: [mikeˈlandʒelo antoˈnjoːni]; 29 September 1912 – 30 July 2007) was an Italian film director, screenwriter, and editor. He is best known for a trio of films often dubbed the "alienation trilogy": L'Avventura (1960), La Notte (1961), and L'Eclisse (1962); the English-language film Blowup (1966); and the multilingual The Passenger (1975). His films have been described as "enigmatic and intricate mood pieces" that feature striking visual composition, subdued narratives, and a preoccupation with modern landscapes. His work substantially influenced subsequent world art cinema, including the slow cinema movement.
Antonioni received numerous awards and nominations throughout his career, being the first and one of two directors, the other being Jafar Panahi, to have won the Palme d'Or, the Golden Lion, the Golden Bear and the Golden Leopard. Three of his films are on the list of hundred Italian films to be saved. He received Academy Award nominations for Best Director and Best Original Screenplay for Blowup. In 1995, he received an Honorary Oscar "in recognition of his place as one of cinema's master visual stylists".
Excerpted from Wikipedia’s “Michelangelo Antonioni” article, available under the CC BY-SA 4.0 licence.
Gallery (2)
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