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Miklós Jancsó

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Also known as Miklos Jancsó, Jancsó Miklós, Miklos Jancso, Jancso Miklos

Hungarian film director and screenwriter (1921–2014)

Person · Open Library

Born
1921
Died
2014
Works
0

Top works

  • Tanulmány a váltóláz parasitáiról

via Open Library + Wikidata

Music · MusicBrainz

Type
Person
Gender
Female
Origin
Australia
Active from
1967-01-13

via MusicBrainz · CC0

Listeners · Last.fm

Listeners
2
Total plays
13

<a href="https://www.last.fm/music/Mikl%C3%B3s+Jancs%C3%B3">Read more on Last.fm</a>

via Last.fm · Miklós Jancsó

Key facts

Born
( 1921-09-27 ) 27 September 1921, Vác , Hungary
Died
31 January 2014 (2014-01-31) (aged 92), Budapest , Hungary
Occupations
Film director, screenwriter, producer, actor
Years active
1950–2014
Spouse s
Katalin Wowesznyi (1949–1958), Márta Mészáros (1958–1968), Zsuzsa Csákány (1981–2014; his death)
Children
Dávid Jancsó

via Wikipedia infobox

Wikidata facts

Instance of
human
Given name
Miklós
Gender
male
Citizenship
Hungary
Place of birth
Vác
Place of death
Budapest
Occupation
film actor
Languages spoken
Hungarian
Participant in
Documenta 6
Image
Miklós Jancsó, 2000.jpg
Show 9 more facts
Commons gallery
Jancsó Miklós
date of death
2014-01-31
date of birth
1921-09-27
place of burial
Fiume Road Graveyard
start of work period
1950-00-00
end of work period
2014-00-00
name in native language
Jancsó Miklós
Commons category
Miklós Jancsó
Sources (10)

via Wikidata · CC0

~20 min read

Encyclopedic overview

Miklós Jancsó ( Hungarian: [ˈmikloːʃ ˈjɒnt͡ʃoː]; 27 September 1921 – 31 January 2014) was a Hungarian film director and screenwriter. Jancsó achieved international prominence starting in the mid-1960s with works including The Round-Up (Szegénylegények, 1965), The Red and the White (Csillagosok, katonák, 1967), and Red Psalm (Még kér a nép, 1971).

Jancsó's films are characterized by long takes, historical and/or rural settings, and the recurring theme of the abuse of power. His works are often allegorical commentaries on Hungary under Communism and Soviet occupation, although some critics prefer to stress the universal dimensions of Jancsó's explorations. Towards the end of the 1960s and especially into the 1970s, Jancsó's work became increasingly stylized and overtly symbolic.

Excerpted from Wikipedia’s “Miklós Jancsó” article, available under the CC BY-SA 4.0 licence.