Mṛcchakatika (), also spelled Mṛcchakaṭikā, Mrchchhakatika, Mricchakatika, or Mrichchhakatika (The Little Clay Cart) is a ten-act Sanskrit drama attributed to Śūdraka (Simuka), an ancient playwright who is possibly from the 5th century CE, and who is identified by the prologue as a Kshatriya king as well as a devotee of Shiva who lived for above 110 years. The play is set in the ancient city of Ujjayini during the reign of the King Pālaka, near the end of the Pradyota dynasty that made up the first quarter of the fifth century BCE. The central story is that of a noble but impoverished young Br
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Mṛcchakatika (), also spelled Mṛcchakaṭikā, Mrchchhakatika, Mricchakatika, or Mrichchhakatika (The Little Clay Cart) is a ten-act Sanskrit drama attributed to Śūdraka (Simuka), an ancient playwright who is possibly from the 5th century CE, and who is identified by the prologue as a Kshatriya king as well as a devotee of Shiva who lived for above 110 years. The play is set in the ancient city of Ujjayini during the reign of the King Pālaka, near the end of the Pradyota dynasty that made up the first quarter of the fifth century BCE. The central story is that of a noble but impoverished young Brahmin, , who falls in love with a wealthy courtesan or nagarvadhu, . Despite their mutual affection, however, the couple's lives and love are threatened when a vulgar courtier, Samsthānaka, also known as Shakara, begins to aggressively pursue Vasantasenā.
Life with romance, comedy, intrigue and a political subplot detailing the overthrow of the city's despotic ruler by a shepherd, the play is notable among extant Sanskrit drama for its focus on a fictional scenario rather than on a classical tale or legend. Mṛcchakaṭika also departs from traditions enumerated in the Natya Shastra that specify that dramas should focus on the lives of the nobility and instead incorporates many peasant characters who speak a wide range of Prakrit dialects. The story is thought to be derived from an earlier work called Cārudatta in Poverty by the playwright Bhāsa, though that work survives only in fragments.
Discovered by embedding cosine similarity (sentence-transformers MiniLM, 384-dim).