Pareh
Sign in to savePareh (Sundanese for "rice"), released internationally as Pareh, Song of the Rice, is a 1936 film from the Dutch East Indies (modern day Indonesia). Directed by the Dutchmen Albert Balink and Mannus Franken, it featured an amateur native cast and starred Raden Mochtar and Soekarsih. The story follows the forbidden love between a fisherman and a farmer's daughter.
Film · TMDB
10.0Mahmud, a young fisherman is in love with Wagini, a farmer girl. The love story is situated in rice fields, mountains and naturally beautiful Indonesian scenery, lending it almost an anthropological quality. It is also presented with songs and sets of poetic quatrains.
Released: 1936-11-2076 minDir: Albert BalinkDrama
Cast
- R.D. Mochtar as Machmoed
- Soekarsih as Wagini
- Roegaya
- T Effendy
- Doenaesih
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Key dates
- Published
- 20 November 1936
via Wikidata · CC0
Wikidata facts
- Instance of
- film
- Genre
- romance film
- Country of origin
- Dutch East Indies
- Original language
- Indonesian
- Director
- Albert Balink
- Screenwriter
- Mannus Franken
- Cast member
- Rd Mochtar
- Producer
- Albert Balink
- Cinematographer
- Mannus Franken
- Duration
- +92
Article
7 sectionsContents
- Premise
- Production
- Release and reception
- Legacy
- See also
- References
- External links
Pareh (Sundanese for "rice"), released internationally as Pareh, Song of the Rice, is a 1936 film from the Dutch East Indies (modern day Indonesia). Directed by the Dutchmen Albert Balink and Mannus Franken, it featured an amateur native cast and starred Raden Mochtar and Soekarsih. The story follows the forbidden love between a fisherman and a farmer's daughter.
Balink began work on the film in 1934, working with the Wong brothers, who served as cinematographers. They gathered a budget of 75,000 gulden – several times the budget of other local productions – and brought Franken from the Netherlands to assist in production. The film was edited in the Netherlands after being shot in the Indies. The film was a commercial and critical success with European audiences, but disliked by native ones; despite this success, Pareh bankrupted its producers.