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Paul Delaroche

File:DelarochePortrait.jpg · Wikimedia Commons · See Wikimedia Commons

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Paul Delaroche

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Also known as Hippolyte Paul Delaroche, Hippolyte Delaroche, Paul Hippolyte Delaroche, Paul de Laroche, Delaroche, P. De la Roche, P. Delaroche, Hippolyte-Paul Delaroche

French painter (1797-1856)

Key facts

Born
Hippolyte-Paul Delaroche , ( 1797-07-17 ) 17 July 1797, Paris , France
Died
4 November 1856 (1856-11-04) (aged 59), Paris, France
Education
École des Beaux-Arts
Known for
Painting
Notable work
The Execution of Lady Jane Grey (1833)
Movement
Romanticism
Spouse
Louise Vernet ​ ​ ( married</span>"}]]}'>m. 1835 ; died 1845 ) ​

via Wikipedia infobox

Wikidata facts

Instance of
human
Given name
Paul
Gender
male
Citizenship
France
Place of birth
Paris
Place of death
Paris
Occupation
draftsperson
Languages spoken
French
Image
Delaroche autoportrait fusain 1838.jpg
Work location
Paris
Show 13 more facts
Commons category
Paul Delaroche
date of birth
1797-07-17
date of death
1856-11-04
Commons Creator page
Paul Delaroche
Commons gallery
Paul Delaroche
name in native language
Paul Delaroche
topic's main category
Category:Paul Delaroche
birth name
Paul Hippolyte Delaroche
start of work period
1812-01-01
end of work period
1856-01-01
Sources (6)

via Wikidata · CC0

Works in European collections

21 objects attributed to Paul Delaroche, held across European museums, libraries & archives · via Europeana

~17 min read

Encyclopedic overview

Hippolyte-Paul Delaroche ( French pronunciation: [ipɔlit pɔl dəlaʁɔʃ]; 17 July 1797 – 4 November 1856) was a French painter known for his depiction of scenes from English and French history. The emotions emphasised in Delaroche's paintings appeal to Romanticism while the detail of his work along with the deglorified portrayal of historic figures follow the trends of Academicism and Neoclassicism. Delaroche aimed to depict his subjects and history with pragmatic realism. He did not consider popular ideals and norms in his creations, but rather painted all his subjects in the same light whether they were historical figures like Marie-Antoinette, figures of Christianity, or people of his time like Napoleon Bonaparte. Delaroche was a leading pupil of Antoine-Jean Gros and later mentored a number of notable artists such as Thomas Couture, Jean-Léon Gérôme, and Jean-François Millet.

Delaroche was born into a generation that saw the stylistic conflicts between Romanticism and Davidian Classicism. Davidian Classicism was widely accepted and enjoyed by society so as a developing artist at the time of the introduction of Romanticism in Paris, Delaroche found his place between the two movements. Subjects from Delaroche's medieval and sixteenth and seventeenth-century history paintings appealed to Romantics while the accuracy of information along with the highly finished surfaces of his paintings appealed to Academics and Neoclassicism. Delaroche's works completed in the early 1830s most reflected the position he took between the two movements and were admired by contemporary artists of the time—the Execution of Lady Jane Grey (1833; National Gallery, London) was the most acclaimed of Delaroche's paintings in its day. Later in the 1830s, Delaroche exhibited the first of his major religious works. His change of subject and "the painting's austere manner" were ill-received by critics and after 1837, he stopped exhibiting his work altogether. At the time of his death in 1856, he was painting a series of four scenes from the Life of the Virgin. Only one work from this series was completed: the Virgin Contemplating the Crown of Thorns.

Excerpted from Wikipedia’s “Paul Delaroche” article, available under the CC BY-SA 4.0 licence.

Gallery (12)