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Pseudo-Jacquemart

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Also known as Pseudo-Jacquemart de Hesdin

thumb|December on the calendar in , f.6v, to which the artist may have contributed The Pseudo-Jacquemart (or Pseudo-Jacquemart de Hesdin) was an anonymous master illuminator active in Paris and Bourges between 1380 and 1415. He owed his name to his close collaboration with painter Jacquemart de Hesdin.

Music · MusicBrainz

Type
Group
Origin
Australia
Active from
1982

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Wikidata facts

Instance of
human
Gender
male
Citizenship
France
Occupation
illuminator
Languages spoken
French
Work location
Bourges
Show 9 more facts
Commons category
Pseudo-Jacquemart
Commons Creator page
Pseudo-Jacquemart
floruit
1000-00-00
birth name
Jean Petit
date of birth
1300-01-01
date of death
1400-01-01
has works in the collection
Bibliothèque nationale de France
different from
Jacquemart de Hesdin
Sources (1)

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Encyclopedic overview

5 sections
Contents
  • Biographical and stylistic elements
  • Attributed work
  • Notes
  • References
  • Further reading

thumb|December on the calendar in , f.6v, to which the artist may have contributed The Pseudo-Jacquemart (or Pseudo-Jacquemart de Hesdin) was an anonymous master illuminator active in Paris and Bourges between 1380 and 1415. He owed his name to his close collaboration with painter Jacquemart de Hesdin.

== Biographical and stylistic elements == thumb|left|Miniature from the Psalter of John of Berry depicting King David playing music, f.153r The artist designated as Pseudo-Jacquemart was perhaps of Flemish origin and was active in France from the end of the 14th century to the beginning of the 15th century. Art historian Millard Meiss was the first to distinguish this artist from his contemporary colleague Jacquemart de Hesdin. Pseudo-Jacquemart seems to have been in the employ of John, Duke of Berry, working in the shadow of other illuminators retained by the duke: Jean Pucelle, the Limbourg brothers, and Jacquemart, at the end of his career, from whom he borrowed his style. Pseudo-Jacquemart generally painted the decorations appended to miniatures: marginal scenes, small miniatures of calendars or initials for text. He also worked for other anonymous patrons on books of hours miniatures, in collaboration with other Parisian painters.

Excerpted from Wikipedia’s “Pseudo-Jacquemart” article, available under the CC BY-SA 4.0 licence.

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