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Q467427
EntityQ467427· pop 25· linked from 281 articles

Also known as Utagawa Toyokuni III, Kunisada, Kôchôrô Toyokuni, Toyokuni Utagawa, Sanjin, Gototei, Ichiyôsai Toyokuni, Bukiyō Matahei

thumb|Woodblock print portrait of Utagawa Kunisada, at the age of 80 years, dated January 1865. This memorial portrait was designed by his principal student, Kunisada II, and is one of the few known images of Kunisada.Utagawa Kunisada (; 1786 – 12 January 1865), also known as Utagawa Toyokuni III (, ), was a Japanese ukiyo-e artist. He is considered the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries Hokusai, Hiroshige and Kuniyoshi.

Music · MusicBrainz

Type
Person
Gender
Male
Country
Japan
Active from
1786
Active to
1865

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Wikidata facts

Image
Kunisada shini e.jpg
Show 6 more facts
Commons category
Utagawa Kunisada
date of birth
1786-01-01
date of death
1865-01-12
Commons Creator page
Utagawa Kunisada (I)
name in native language
歌川国貞
name in kana
うたがわ くにさだ
Sources (2)

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Works in European collections

36 objects attributed to Q467427, held across European museums, libraries & archives · via Europeana

~13 min read

Article

10 sections
Contents
  • Evaluation of Kunisada in art history
  • Biography
  • Artistic activity
  • Reception and legacy
  • Collections
  • See also
  • References
  • Works cited
  • Further reading
  • External links

thumb|Woodblock print portrait of Utagawa Kunisada, at the age of 80 years, dated January 1865. This memorial portrait was designed by his principal student, Kunisada II, and is one of the few known images of Kunisada.Utagawa Kunisada (; 1786 – 12 January 1865), also known as Utagawa Toyokuni III (, ), was a Japanese ukiyo-e artist. He is considered the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries Hokusai, Hiroshige and Kuniyoshi.

==Evaluation of Kunisada in art history== At the end of the Edo period (1603–1867), Hiroshige, Kuniyoshi and Kunisada were the three best representatives of the Japanese color woodcut in Edo (capital city of Japan, now Tokyo). However, among European and American collectors of Japanese prints, beginning in the late 19th and early 20th century, all three of these artists were actually regarded as rather inferior to the greats of classical ukiyo-e, and therefore as having contributed considerably to the downfall of their art. For this reason, some referred to their works as "decadent".

Gallery (20)

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