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rocksteady

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Also known as rock steady

Rocksteady is a music genre that originated in Jamaica around 1966. A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as the Techniques, the Paragons, the Heptones and the Gaylads; soulful singers such as Alton Ellis, Delroy Wilson, Bob Andy, Ken Boothe and Phyllis Dillon; musicians such as Jackie Mittoo, Lynn Taitt and Tommy McCook. The term rocksteady comes from a popular (slower) dance style which is the subject in the Alton Elli

Key facts

Music genre.name
Rocksteady
Music genre.cultural_origins
Mid-1960s, Jamaica
Music genre.derivatives
Reggae
Music genre.other_topics
Music of Jamaica
Music genre.fusiongenres
Reggae fusion

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Wikidata facts

Image
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Commons category
Rocksteady
inception
1966-00-00
native label
Rocksteady
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~9 min read

Article

7 sections
Contents
  • Characteristics
  • Lyrics
  • History
  • Transformation into reggae
  • See also
  • References
  • External links

Rocksteady is a music genre that originated in Jamaica around 1966. A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as the Techniques, the Paragons, the Heptones and the Gaylads; soulful singers such as Alton Ellis, Delroy Wilson, Bob Andy, Ken Boothe and Phyllis Dillon; musicians such as Jackie Mittoo, Lynn Taitt and Tommy McCook. The term rocksteady comes from a popular (slower) dance style which is the subject in the Alton Ellis song "Rocksteady" and matched the new sound. Some rocksteady songs became hits outside Jamaica, as with ska, helping to secure the international base reggae music has today.

==Characteristics== thumb|right|350px|Ska/rocksteady rhythm The Jamaican musicians and producers who developed rocksteady had grown up learning and playing jazz and had played through ska. In a similar way to what happened at Motown, the musicians responsible for playing this new sound would go jam in a jazz club after work.

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