thumb|right | Side of the altar of Sandraudiga from Zundert. Limestone altar, dedicated to the goddess Sandraudiga. Sides decorated with cornucopiae in relief. The left cornucopiae is wrapped in a bow. The top of the altar has a triangular facade at the front, decorated with a leaf motif. On the left and right is a roll scaled along the entire length with a rosette on the front, in the middle 3 large apples in a row, which are badly damaged. On the front only the inscription. Sandraudiga is a Germanic goddess, attested on a stone with a Latin inscription, found in North Brabant, the Netherland
thumb|right | Side of the altar of Sandraudiga from Zundert. Limestone altar, dedicated to the goddess Sandraudiga. Sides decorated with cornucopiae in relief. The left cornucopiae is wrapped in a bow. The top of the altar has a triangular facade at the front, decorated with a leaf motif. On the left and right is a roll scaled along the entire length with a rosette on the front, in the middle 3 large apples in a row, which are badly damaged. On the front only the inscription. Sandraudiga is a Germanic goddess, attested on a stone with a Latin inscription, found in North Brabant, the Netherlands. Today the stone is housed in the National Museum of Antiquities, Leiden, the Netherlands. The meaning of her name is still subject of discussion, but it has been suggested that it might mean "she who dyes the sand red". Other indigenous (southern) Dutch deities who are locally known at that time are: Vagdavercustis, Burorina, Hludana, Viradectis, Hurstrga/Hurst(ae)rga, Nehalennia and Seneucaega.
==Discovery and Inscription== The stone was discovered in 1812 in Tiggelt, Zundert near the village of Rijsbergen and is now in the Rijksmuseum van Oudheden in Leiden. It is made of limestone (139 × 81 × 41 cm). Above the circular base there is an inscription panel and above it a cornice corresponding to the base with an attachment with foliage or scaled decorated scrolls on both sides. The narrow sides each show different cornices as decoration. The four-line inscription is slightly eroded, yet clearly legible. The final A and E of the theonym are carved as a ligature Æ.
Discovered by embedding cosine similarity (sentence-transformers MiniLM, 384-dim).