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Shibuya-kei

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Also known as Shibuya kei, Shibuyakei, eclectic pop

is a microgenre of pop music or a general aesthetic that flourished in Japan in the mid-to-late 1990s. The music genre is distinguished by a "cut-and-paste" approach that was inspired by the kitsch, fusion, and artifice from certain music styles of the past. The most common reference points were 1960s culture and Western pop music, especially the work of Burt Bacharach, Brian Wilson, Phil Spector, and Serge Gainsbourg.

Key facts

Music genre.name
Shibuya-kei
Music genre.image
2007 shibuya (473191910).jpg
Music genre.caption
Shibuya Crossing, 2007
Music genre.cultural_origins
1990s, Shibuya, Tokyo, Japan
Music genre.fusiongenres
Akishibu-kei
Music genre.other_topics
Chamber pop progressive music

via Wikipedia infobox

Wikidata facts

Instance of
music genre
Subclass of
music of Japan
Named after
Shibuya
Country of origin
Japan
Image
Shibuya at night.JPG
Show 3 more facts
Commons category
Shibuya-kei
topic's main category
Category:Shibuya-kei
inception
1993-01-01
Sources (3)

via Wikidata · CC0

~8 min read

Encyclopedic overview

7 sections
Contents
  • Background and influences
  • Development and popularity
  • See also
  • Notes
  • References
  • Works cited
  • External links

is a microgenre of pop music or a general aesthetic that flourished in Japan in the mid-to-late 1990s. The music genre is distinguished by a "cut-and-paste" approach that was inspired by the kitsch, fusion, and artifice from certain music styles of the past. The most common reference points were 1960s culture and Western pop music, especially the work of Burt Bacharach, Brian Wilson, Phil Spector, and Serge Gainsbourg.

Shibuya-kei first emerged as retail music from the Shibuya district of Tokyo. Flipper's Guitar, a duo led by Kenji Ozawa and Keigo Oyamada (Cornelius), formed the bedrock of the genre and influenced all of its groups, but the most prominent Shibuya-kei band was Pizzicato Five, who fused mainstream J-pop with a mix of jazz, soul, and lounge influences. Shibuya-kei peaked in the late 1990s and declined after its principal players began moving into other music styles.

Excerpted from Wikipedia’s “Shibuya-kei” article, available under the CC BY-SA 4.0 licence.