thumb|300px|Typical early English strapwork of 1589, detail from the Peter Carew (died 1580)#Commemoration|monument to Sir Gawen Carew in [[Exeter Cathedral]] thumb|French stucco, scrollwork and strapwork by Rosso Fiorentino in the [[Palace of Fontainebleau, 1530s]] In the history of art and design, strapwork is the use of stylised representations in ornament of ribbon-like forms. These may loosely imitate leather straps, parchment or metal cut into elaborate shapes, with piercings, and often interwoven in a geometric pattern. In early examples there may or may not be three-dimensionality, eit
thumb|300px|Typical early English strapwork of 1589, detail from the Peter Carew (died 1580)#Commemoration|monument to Sir Gawen Carew in [[Exeter Cathedral]] thumb|French stucco, scrollwork and strapwork by Rosso Fiorentino in the [[Palace of Fontainebleau, 1530s]] In the history of art and design, strapwork is the use of stylised representations in ornament of ribbon-like forms. These may loosely imitate leather straps, parchment or metal cut into elaborate shapes, with piercings, and often interwoven in a geometric pattern. In early examples there may or may not be three-dimensionality, either actual in curling relief ends of the elements, or just represented in two dimensions. As the style continued, these curling elements became more prominent, often turning into scrollwork, where the ends curl into spirals or scrolls. By the Baroque scrollwork was a common element in ornament, often partly submerged by other rich ornament.
European strapwork is a frequent background and framework for grotesque ornament – arabesque or candelabra figures filled with fantastical creatures, garlands and other elements – which were a frequent decorative motif in 16th-century Northern Mannerism, and revived in the 19th century and which may appear on walls – painted, in frescos, carved in wood, or moulded in plaster or stucco – or in graphic work. The Europeanized arabesque patterns called moresque are also very often combined with strapwork, especially in tooled and gilded bookbindings.
Discovered by embedding cosine similarity (sentence-transformers MiniLM, 384-dim).