
The Super Bowl LX halftime show, officially known as the Apple Music Super Bowl LX Halftime Show for sponsorship purposes, took place on February 8, 2026, at Levi's Stadium in Santa Clara, California. It was headlined by Bad Bunny and featured guest appearances from Lady Gaga, Ricky Martin, and Los Pleneros de la Cresta. The performance marked the first time a Latino solo artist headlined the Super Bowl halftime show and the first halftime set performed almost entirely in Spanish. Martin is the first openly gay male Super Bowl halftime performer.
The Super Bowl LX halftime show on February 8, 2026, was headlined by Bad Bunny with guest appearances from Lady Gaga, Ricky Martin, and Los Pleneros de la Cresta, marking the first time a Latino solo artist led the performance and the first halftime show performed almost entirely in Spanish. The show was historically significant because it featured Ricky Martin as the first openly gay male performer in a Super Bowl halftime show.
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The Super Bowl LX halftime show, officially known as the Apple Music Super Bowl LX Halftime Show for sponsorship purposes, took place on February 8, 2026, at Levi's Stadium in Santa Clara, California. It was headlined by Bad Bunny and featured guest appearances from Lady Gaga, Ricky Martin, and Los Pleneros de la Cresta. The performance marked the first time a Latino solo artist headlined the Super Bowl halftime show and the first halftime set performed almost entirely in Spanish. Martin is the first openly gay male Super Bowl halftime performer.
The show was broadcast across the US on NBC, Peacock, Telemundo, Universo, NFL+ and select NBC Sports digital platforms. It drew 128.2 million viewers domestically across all platforms—making it the fourth-most-watched halftime show in history—and attracted 4.8 million viewers on Telemundo, the network's largest audience for an American football broadcast. It was met with widespread critical acclaim, with critics praising the performance, production, tone, and themes. Analysts highlighted the show's social commentary on Puerto Rico's history, its pan-Latino cultural affirmation, and its recontextualization of "America" and "American" to encompass the entire continent.
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