Saang, also known as Swang (meaning "imitation") or Svang, is a popular folk dance–theatre form and a traditional style of storytelling in Haryana, Uttar Pradesh, Rajasthan and the Malwa region of Madhya Pradesh. Swang incorporates suitable theatrics and mimicry (or naqal) accompanied by song and dialogue. It is dialogue-oriented rather than movement-oriented. Religious stories and folk tales are enacted by a group of ten or twelve persons in an open area or an open-air theatre surrounded by the audience. Swang as an art of imitation means Rang-Bharna, Naqal-Karna.
Saang, also known as Swang (meaning "imitation") or Svang, is a popular folk dance–theatre form and a traditional style of storytelling in Haryana, Uttar Pradesh, Rajasthan and the Malwa region of Madhya Pradesh. Swang incorporates suitable theatrics and mimicry (or naqal) accompanied by song and dialogue. It is dialogue-oriented rather than movement-oriented. Religious stories and folk tales are enacted by a group of ten or twelve persons in an open area or an open-air theatre surrounded by the audience. Swang as an art of imitation means Rang-Bharna, Naqal-Karna.
Swang can be considered as the most ancient folk theatre form in India. Nautanki, Saang, Tamasha originated from the Swang traditions. Old Swang traditions are: "EK MARDANA EK JANANA MANCH PAR ADE THE RAI" means one male and one female performers start the story. "EK SAARANGI EK DHOLAKIA SAATH MEIN ADE THE RAI" means one sarangi player and one dholak player joins the performance. This Swang/Saang performance was active at the time of Kabir Sant and Guru Nanak.
Discovered by embedding cosine similarity (sentence-transformers MiniLM, 384-dim).