
Opfergang (The Great Sacrifice or Rite of Sacrifice) is a 1944 German film directed by Veit Harlan. It is based on Rudolf G. Binding's work of the same title, with alterations for propaganda purposes. Unlike other Harlan films of the era, Opfergang does not include explicit Nazi messages, but instead features more subtle Nazi motifs and themes. The film was dubbed a "masterpiece" by Slovenian philosopher Slavoj Žižek in 2012.
Äls, a young woman from Sweden living in Hamburg in the summer months attracts a newly married explorer, Albrecht Froben who has just returned to his native city. But although Äls seems to be 'life itself', she suffers from a tropical disease which is slowly killing her. Froben is torn between Äls and his wife Octavia, who he seen as a kind of 'heavenly' counterpart to the earthy and beguiling Äls.
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Opfergang (The Great Sacrifice or Rite of Sacrifice) is a 1944 German film directed by Veit Harlan. It is based on Rudolf G. Binding's work of the same title, with alterations for propaganda purposes. Unlike other Harlan films of the era, Opfergang does not include explicit Nazi messages, but instead features more subtle Nazi motifs and themes. The film was dubbed a "masterpiece" by Slovenian philosopher Slavoj Žižek in 2012.
==Synopsis== Albrecht Froben, though married to Octavia, falls in love with his neighbor, Äls Flodéen. She, however, is slowly dying from a debilitating disease. During an epidemic, Albrecht goes to bring her daughter to safety but he catches typhoid and is quarantined in hospital. Octavia, realising the love match, and hearing that Äls is now bedridden and dying, dresses up as him and rides by her gates every day to keep her spirits up—her bed is next to the window. Albrecht returns. Äls has a dream in which she talks to her projection of Albrecht and concludes that she does not wish to take part in this union and accepts death. Albrecht is reconciled with his wife.
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