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Viktor Shklovsky

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Viktor Shklovsky

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Also known as Viktor Borisovich Shklovsky

Soviet Jewish writer

Person · Open Library

Works
10

Top works

  • Journey to the Land of Movies (new Ed. )
  • Mayakovsky and His Circle
  • Zoo, or Letters Not about Love
  • Bowstring - On the Dissimilarity of the Similar
  • Viaje Sentimetal. Memorias de 1917-1922

via Open Library + Wikidata

Film & TV

Writing · St. Petersburg, Russian Empire [now Russia]

Known for

  • Viktor Shklovsky and Roman Jakobson: Life is a Novel — Self (archive footage)2009
  • The Kuleshov Effect — Self1969
  • House of the Dead — Petrashevsky1932

via TMDB

Music · MusicBrainz

Type
Person

via MusicBrainz · CC0

Key facts

Born
Viktor Borisovich Shklovsky , 24 January [ O.S. 12 January ] 1893, Saint Petersburg, Russian Empire
Died
6 December 1984 (1984-12-06) (aged 91), Moscow, Soviet Union
Alma mater
Saint Petersburg Imperial University
School
Russian Formalism
Main interests
Literary theory , Literary criticism
Notable works
Воскрешение слова (1914) , Art as Device (1917) , Zoo, or Letters Not About Love (1923), Theory of Prose (1925)
Notable ideas
Ostranenie (1917)

via Wikipedia infobox

Wikidata facts

Image
Viktor Shklovsky.jpg
Show 6 more facts
date of birth
1893-01-24
date of death
1984-12-06
Commons category
Viktor Shklovsky
start of work period
1916-00-00
name in native language
Виктор Борисович Шкловский
Sources (1)

via Wikidata · CC0

~10 min read

Article

Viktor Borisovich Shklovsky (Russian: Ви́ктор Бори́сович Шкло́вский, IPA: [ˈʂklofskʲɪj]; 24 January [O.S. 12 January] 1893 – 6 December 1984) was a Russian and Soviet literary theorist, critic, writer, and pamphleteer. He is one of the major figures associated with Russian formalism.

Shklovsky's Theory of Prose was published in 1925. Shklovsky himself is still praised as "one of the most important literary and cultural theorists of the twentieth century" (Modern Language Association Prize Committee); "one of the most lively and irreverent minds of the last century" (David Bellos); "one of the most fascinating figures of Russian cultural life in the twentieth century" (Tzvetan Todorov)

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