Virginia Grey

Music · MusicBrainz

Type

Group

Origin

Japan

Active from

1997-02

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Listeners · Last.fm

Listeners

11

Total plays

13

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Recent publications · Crossref

5 total works indexed

1. Using thematic analysis in psychology

   · 2006 · cited 152,533x

2. A global reference for human genetic variation

   · 2015 · cited 17,797x

3. Reflecting on reflexive thematic analysis

   · 2019 · cited 16,293x

4. Global burden of 369 diseases and injuries in 204 countries and territories, 1990–2019: a systematic analysis for the Global Burden of Disease Study 2019

   · 2020 · cited 15,988x

5. Development and validation of a geriatric depression screening scale: A preliminary report

   · 1982 · cited 11,182x

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Quotes

• “We filmed in 1956. This was five years after I dated Bob [Robert Taylor] and she filed for divorce. I accidentally put my coat on her chair and she tore into me with a vengeance in front of everyone. She never mentioned Bob, but she resented me for going out with him. She had no other reason for hating me.”
• “Hollywood men are a lot of phony balonies.”
• “That was with Richard Arlen, who had been a big star in silents, he’d slipped into the Bs by this time. We shot that on location up in Lone Pine.”
• “The Audie Murphy people—his foundation, have been haunting me about him. But I didn’t know him at all. I’d work, go home, and not socialize with these people. The whole picture is very vague to me.”
• “I made so many pictures, that many are a blur in my mind.” One that isn’t a blur is “The Last Command” made for Republic. “We made ours before Duke made his ‘Alamo’. There was a beef with Herbert Yates over the title. We shot it on location in Brackettville, TX, and the John Wayne version used our left-over sets. Although we were in Texas, I never got to San Antonio, so I never saw the ‘real’ Alamo—just the one constructed in Brackettville.”
• “And it is ‘Flame of Barbary Coast,’ and not ‘Flame of the Barbary Coast’. Almost everybody gets that title wrong. Ann Dvorak was in it…a big picture, a long shooting schedule…I was not under contract to Republic, but after I left MGM in ‘42 and started to freelance, Republic and Universal used me quite often after that. Yates seemed to like me.”

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