Wendingen

thumb|First issue 1918–1, architecture and art (cover J.L.M.Lauweriks). Wendingen main theme (expressionist architecture) against [[De Stijl in 1917 (cubist architecture).]] thumb|Wendingen 1918–2, architecture and art (cover Michel de Klerk|M.de Klerk). M.de Klerk: 6 issues and 3 covers thumb|Wendingen 1928–1, 2nd of 4 Willem Marinus Dudok|W.M.Dudok issues (cover H.Wouda) thumb|Wendingen 1930–2, Van Nelle Factory (cover L.v.d.Vlugt) thumb|Wendingen 1921–12, Jan Duiker|J.Duiker & B.Bijvoet (cover J.Duiker) thumb|Wendingen 1920-11/12, Hendrik Petrus Berlage|H.P.Berlage (cover J.Jongert) thumb|Wendingen 1931–1, cover by Samuel Jessurun de Mesquita

Wendingen (Dutch: Inversion or Upheaval, literally turns) was an architecture and art magazine that appeared from 1918 to 1932. It was a monthly publication aimed at architects and interior designers. The booklet was published by Amsterdam publisher Hooge Brug (1918–1923) and by the Santpoort publisher C.A. Mees (1924–1931). It was a mouthpiece for the architect association Architectura et Amicitia. (Architecture and Friendship). The chief editor was the architect Hendricus Theodorus Wijdeveld. Wendingen initially was an important platform for Dutch expressionism, also known as the Amsterdam School, and later endorsed the New Objectivity.