"Yes" is an English progressive rock band known for complex instrumental arrangements and ambitious musical compositions. The band is significant in the history of rock music for pioneering and defining the progressive rock genre, which emphasized technical virtuosity and artistic experimentation.
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Yes are an English progressive rock band formed in London in 1968. Comprising 20 full-time musicians over their career, their most notable members include lead singer Jon Anderson, bassist Chris Squire, guitarists Steve Howe and Trevor Rabin, drummers Bill Bruford and Alan White, and keyboardists Tony Kaye and Rick Wakeman. The band have explored several musical styles and are often regarded as progressive rock pioneers. Since February 2023, the band's line-up consists of Howe, keyboardist Geoff Downes, bassist Billy Sherwood, singer Jon Davison, and drummer Jay Schellen.
Founded by Anderson, Squire, Bruford, Kaye, and guitarist Peter Banks, Yes began performing a mix of original songs and covers of rock, pop, blues, and jazz songs, as showcased on their first two albums, Yes (1969) and Time and a Word (1970). A change of direction in 1970 after the replacement of Banks with Howe led to a series of successful progressive rock albums, with four consecutive US platinum or multi-platinum sellers: The Yes Album (1971); Fragile (1971), which included the successful single "Roundabout"; Close to the Edge (1972); and the live album Yessongs (1973). Further albums Tales from Topographic Oceans (1973), Relayer (1974), Going for the One (1977), and Tormato (1978) were also commercially successful. Yes earned a reputation for their elaborate stage sets, light displays, and album covers designed by Roger Dean. During this time, Kaye and Bruford were replaced by Wakeman and White respectively, while keyboardist Patrick Moraz joined for Relayer and its subsequent tour. In 1980, musical differences led to Anderson and Wakeman's departures; Yes recruited Downes and singer Trevor Horn for the album Drama (1980) before disbanding in 1981.
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