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Zhuangzi

Cover via Open Library · Open Library

EntityQ1074987· pop 37· linked from 505 articles

Also known as True Scripture of Southern Florescence

Chinese Taoist text

Book · Open Library

Author
Zhuangzi
First published
1914
Editions
11
Subjects
Chinese Philosophy, Ethics, Taoism, Morale, Philosophy, Confucian Philosophy, Histoire, Philosophie

via Open Library

Key facts

Author
( traditional</span>"}]]}'>trad. ) Zhuang Zhou
Language
Classical Chinese
Genre
Philosophy
Publication place
China
Traditional chinese
莊子
Simplified chinese
庄子
Literal meaning
(The Writings of) Master Zhuang
Hanyu pinyin
Zhuāngzǐ
Bopomofo
ㄓㄨㄤ ㄗˇ
Wade giles
Chuang -tzŭ
Yale romanization
Jwāngdž
Ipa
[ʈʂwa ́ ŋ.tsɹ̩ ̀ ]
Suzhounese
Tsaon -tsy
Jyutping
Zong1-zi2
Hokkien poj
Chng-chú ( col. ), Chong-chú ( lit. )
T i l
Tsng-tsú ( col. ), Tsong-tsú ( lit. )
Fuzhou buc
Cŏng-cṳ̄
Middle chinese
[ tʂjang-tzí ]

via Wikipedia infobox

Wikidata facts

Country of origin
Eastern Zhou
Depicts
Cicadoidea
Image
Zhuangzi Tian Yun Ms.JPG
Show 6 more facts
title
南華眞經
language of work or name
Classical Chinese
inception
0300-00-00
different from
Zhuang Zhou
Commons category
Zhuangzi (book)
characters
Hundun
Sources (4)

via Wikidata · CC0

~40 min read

Encyclopedic overview

The Zhuangzi (historically romanized Chuang Tzŭ) is an ancient Chinese text that is one of the two foundational texts of Taoism, alongside the Tao Te Ching. It was written during the late Warring States period (476–221 BC) and is named for its traditional author, Zhuang Zhou, who is customarily known as "Zhuangzi" ("Master Zhuang").

The Zhuangzi consists of stories and maxims that exemplify the nature of the ideal Taoist sage. It recounts many anecdotes, allegories, parables, and fables, often expressed with irreverence or humor. Recurring themes include embracing spontaneity and achieving freedom from the human world and its conventions. The text aims to illustrate the arbitrariness and ultimate falsity of dichotomies normally embraced by human societies, such as those between good and bad, large and small, life and death, or human and nature. In contrast with the focus on good morals and personal duty expressed by many Chinese philosophers of the period, Zhuang Zhou promoted carefree wandering and following nature, through which one would ultimately become one with the "Way" (Tao).

Excerpted from Wikipedia’s “Zhuangzi” article, available under the CC BY-SA 4.0 licence.