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Zofloya

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EntityQ8073404· pop 5· linked from 10 articles

Also known as Zofloya; or, The Moor: A Romance of the Fifteenth Century, Zofloya; or, The Moor

Zofloya; or, The Moor: A Romance of the Fifteenth Century, often shortened to Zofloya, is an 1806 English Gothic novel by Charlotte Dacre under the nom de plume Rosa Matilda. It was her second novel. Zofloya was published in three parts, and later collected into a single volume. At the time of publication, the novel was heavily criticised for its provocative subject matter, especially its religious and racial themes. Its focus on female sexuality was also criticised as inappropriate, with one contemporary reviewer noting the novel possessed "an exhibition of wantonness of harlotry".

Book · Open Library

Author
Charlotte Dacre
First published
1974
Editions
4
Subjects
Muslims, Sex role, Muslim women, Fifteenth century, Female offenders, Fiction, Fiction, gothic, Fiction, horror

via Open Library

~31 min read

Encyclopedic overview

21 sections
Contents
  • Plot
  • Characters
  • Analysis of the novel
  • Questions of morality
  • Challenging feminine roles of the early 19th century
  • Familial roles
  • Race and historical context
  • Racism and the character Zofloya
  • Race and interracial/cross-gender relationships
  • Gothic novel and interracial/cross-gender relationships
  • Zofloya and interracial/cross-gender relationships
  • Catalysts for anti-African sentiment in the early 19th century
  • Role of patriarchal power
  • Knowledge, power, and sexuality
  • Parallels between Zofloya and Matthew Lewis's ''The Monk''
  • Critical reception
  • Influence
  • Editions
  • Dacre's works
  • References
  • External links

Zofloya; or, The Moor: A Romance of the Fifteenth Century, often shortened to Zofloya, is an 1806 English Gothic novel by Charlotte Dacre under the nom de plume Rosa Matilda. It was her second novel. Zofloya was published in three parts, and later collected into a single volume. At the time of publication, the novel was heavily criticised for its provocative subject matter, especially its religious and racial themes. Its focus on female sexuality was also criticised as inappropriate, with one contemporary reviewer noting the novel possessed "an exhibition of wantonness of harlotry".

Despite reprints in 1928 and 1974, Zofloya was largely forgotten for nearly two centuries until its recovery in the 1990s by feminist scholars, which led to two professional editions being published in 1997. Since then it has attracted scholarly attention, and become a staple work of Gothic curricula. Notable for its subversion of the female Gothic, in particular the novel's heroine, Victoria di Loredani, who challenges female Gothic archetypes of the period, it has been called "a significant departure from the more familiar tradition of women's Gothic writing."

Excerpted from Wikipedia’s “Zofloya” article, available under the CC BY-SA 4.0 licence.

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