is a genre of Japanese literature consisting of loosely connected personal essays and fragmented ideas that typically respond to the author's surroundings. The name is derived from two Kanji meaning "at will" and "pen." The provenance of the term is ultimately Chinese, zuihitsu being the Sino-Japanese reading (''on'yomi) of 随筆 (Mandarin: suíbǐ), the native reading (kun'yomi) of which is fude ni shitagau'' ("follow the brush"). Thus works of the genre should be considered not as traditionally planned literary pieces but rather as casual or randomly recorded thoughts by the authors.
is a genre of Japanese literature consisting of loosely connected personal essays and fragmented ideas that typically respond to the author's surroundings. The name is derived from two Kanji meaning "at will" and "pen." The provenance of the term is ultimately Chinese, zuihitsu being the Sino-Japanese reading (''on'yomi) of 随筆 (Mandarin: suíbǐ), the native reading (kun'yomi) of which is fude ni shitagau ("follow the brush"). Thus works of the genre should be considered not as traditionally planned literary pieces but rather as casual or randomly recorded thoughts by the authors.
==History== Zuihitsu'' emerged in the Heian Period with Sei Shōnagon's The Pillow Book. Shōnagon, a member of the Heian Imperial Court, kept a private diary of her own observations and musings about courtly life. It is unclear whether or not she intended it to be released to the public (sections of the work suggest that she did not), but the work nevertheless survived and provides an alternate view into life of the era, making it an invaluable literary as well as historical resource.
Discovered by embedding cosine similarity (sentence-transformers MiniLM, 384-dim).