20th-century art movements

thumb|upright=1.15|Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, [[Museum of Modern Art, New York]]

thumb|250px|alt=Henri Matisse painting Woman with a Hat, from 1905. in the San Francisco Museum of Modern Art|Henri Matisse. Woman with a Hat, 1905. [[San Francisco Museum of Modern Art]]

contemporary art movement

style of visual art that uses optical illusions

form of art creation in which landscape and the work of art are inextricably linked

international design movement

thumb|upright=1.3|''John's Diner with John's Chevelle'', 2007. John Baeder, oil on canvas, 30×48 inches

art movement

thumb|200px|Le Corbusier, 1922, Nature morte verticale (Vertical Still Life), oil on canvas, , [[Kunstmuseum Basel]] Purism, referring to the arts, was a movement that took place between 1918 and 1925 that influenced French painting and architecture. Purism was led by Amédée Ozenfant and Charles-Édouard Jeanneret (Le Corbusier). Ozenfant and Le Corbusier formulated an aesthetic doctrine born from a criticism of Cubism and called it Purism: where objects are represented as elementary forms devoid of detail. The main concepts were presented in their short essay "Après le Cubisme" (After Cubism)

Italian art movement

genre of art

American, Australian and British artists

Neo-Dada was an art movement with audio, visual and literary manifestations that had similarities in method or intent with earlier Dada artwork. It sought to close the gap between art and daily life, and was a combination of playfulness, iconoclasm, and appropriation. In the United States the term was popularized by Barbara Rose in the 1960s and refers primarily, although not exclusively, to work created in that and the preceding decade. There was also an international dimension to the movement, particularly in Japan and in Europe, serving as the foundation of Fluxus, Pop Art and Nouveau réali

form of art that is created through the use of autonomous systems, often involving algorithms, random processes, or computational techniques to generate artworks

artist group and art movement

Tropicália (), also known as tropicalismo (), was a Brazilian art movement that arose in the late 1960s. It was characterized by the amalgamation of Brazilian genres—notably the union of the popular and the avant-garde, as well as the melding of Brazilian tradition and foreign traditions and styles. Contemporarily, tropicália became primarily associated with the musical faction of the movement, which merged Brazilian and African rhythms with British and American psychedelia and pop rock. The movement also included works of film, theatre, and poetry.

thumb|Yokugo no onna (Woman at Her Bath), by Hashiguchi Goyō (published Feb. 1916). One of the first shin-hanga published by [[Watanabe Shozaburo.]] thumb|Hikari umi (Glittering Sea), by Hiroshi Yoshida (1926) thumb|Zōjō-ji|Shiba Zōjōji, by [[Kawase Hasui (1925)]] thumb|Two Cockatoos on Plum Blossom Tree, by Ohara Koson (c. 1925–1935)

art related to altered states of consciousness

art in which the process of creating it becomes the subject matter

efforts and accomplishments of feminists internationally to produce art that reflects women's lives and experiences

an art movement and a style of Indian painting in the early 20th century

art movement

group of artists

artistic theme

thumb | right | Phase—Mother Earth (1968) by Nobuo Sekine, an influential work in the Mono-ha art movement Mono-ha (もの派) is the name given to an art movement led by Japanese and Korean artists of the 20th century. The Mono-ha artists explored the encounter between natural and industrial materials, such as stone, steel plates, glass, light bulbs, cotton, sponge, paper, wood, wire, rope, leather, oil, and water, arranging them in mostly unaltered, ephemeral states. The works focus as much on the interdependency of these various elements and the surrounding space as on the materials themselves.

art influenced by cybernetics and systems theory

thumb|right|Symbol of Signalism Signalism (; from ) represents an international neo-avant-garde literary and art movement. It gathered wider support base both in former Yugoslavia and the world in the late 1960s and the beginning of the 1970s.

African American–led art movement, active between the 1960s and 1970s

art movement

Aboriginal Australian artists' cooperative

thumb|Zenit, a monthly periodical about Zenitism, ran from 1921 until it was forbidden in 1926

American philosophical movement

group of artists from Israel

Hawaiian art