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Also known as shin hanga, new prints
thumb|Yokugo no onna (Woman at Her Bath), by Hashiguchi Goyō (published Feb. 1916). One of the first shin-hanga published by [[Watanabe Shozaburo.]] thumb|Hikari umi (Glittering Sea), by Hiroshi Yoshida (1926) thumb|Zōjō-ji|Shiba Zōjōji, by [[Kawase Hasui (1925)]] thumb|Two Cockatoos on Plum Blossom Tree, by Ohara Koson (c. 1925–1935)
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thumb|Yokugo no onna (Woman at Her Bath), by Hashiguchi Goyō (published Feb. 1916). One of the first shin-hanga published by [[Watanabe Shozaburo.]] thumb|Hikari umi (Glittering Sea), by Hiroshi Yoshida (1926) thumb|Zōjō-ji|Shiba Zōjōji, by [[Kawase Hasui (1925)]] thumb|Two Cockatoos on Plum Blossom Tree, by Ohara Koson (c. 1925–1935)
was an art movement in early 20th-century Japan, during the Taishō and Shōwa periods, that revitalized the traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century). It maintained the traditional ukiyo-e collaborative system (hanmoto system) where the artist, carver, printer, and publisher engaged in division of labor, as opposed to the parallel sōsaku-hanga (creative prints) movement.
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Discovered by embedding cosine similarity (sentence-transformers MiniLM, 384-dim).