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shin-hanga
Also known as shin hanga, new prints
thumb|Yokugo no onna (Woman at Her Bath), by Hashiguchi Goyō (published Feb. 1916). One of the first shin-hanga published by [[Watanabe Shozaburo.]] thumb|Hikari umi (Glittering Sea), by Hiroshi Yoshida (1926) thumb|Zōjō-ji|Shiba Zōjōji, by [[Kawase Hasui (1925)]] thumb|Two Cockatoos on Plum Blossom Tree, by Ohara Koson (c. 1925–1935)
Wikidata facts
- Image
- Hashiguchi Goyō, Woman after bath, 1920.jpg
Sources (3)
via Wikidata · CC0
Article
6 sectionsContents
- History
- Shinsaku Hanga vs. Shin-hanga
- Notable artists
- References
- Further reading
- External links
thumb|Yokugo no onna (Woman at Her Bath), by Hashiguchi Goyō (published Feb. 1916). One of the first shin-hanga published by [[Watanabe Shozaburo.]] thumb|Hikari umi (Glittering Sea), by Hiroshi Yoshida (1926) thumb|Zōjō-ji|Shiba Zōjōji, by [[Kawase Hasui (1925)]] thumb|Two Cockatoos on Plum Blossom Tree, by Ohara Koson (c. 1925–1935)
was an art movement in early 20th-century Japan, during the Taishō and Shōwa periods, that revitalized the traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century). It maintained the traditional ukiyo-e collaborative system (hanmoto system) where the artist, carver, printer, and publisher engaged in division of labor, as opposed to the parallel sōsaku-hanga (creative prints) movement.