Armenian musical instruments

The oud ( ; , ) is a Middle Eastern short-neck lute-type, pear-shaped, fretless stringed instrument (a chordophone in the Hornbostel–Sachs classification of instruments), usually with 11 strings grouped in six courses, but some models have five or seven courses, with 10 or 13 strings respectively.

The bağlama or saz is a long-necked fretted lute used in the folk music of Turkey and neighbouring regions of the Middle East and Central Asia. It belongs to the wider family of long-necked lutes known as Tanburs, a group of instruments historically distributed from Iran and Mesopotamia across Central Asia and Anatolia.

thumb|260px|Musician playing the zurna.

The Armenian duduk ( ; ) or tsiranapogh (, meaning "apricot-made wind instrument"), is a double reed woodwind instrument made of apricot wood originating from Armenia. Variations of the Armenian duduk appear throughout the Caucasus, the Balkans, and the Middle East. The duduk, balaban and mey are almost identical, except for historical and geographical differences.

Middle-Eastern stringed instrument

The ney ( ; ) is an end-blown flute that figures prominently in traditional Kurdish, Persian, Turkish, Jewish, Arab, and Egyptian music. In some of these musical traditions, it is the only wind instrument used. The ney has been played for over 4,500 years, dating back to ancient Egypt, making it one of the oldest musical instruments still in use.

Daf (), also known as dâyere and riq, is an Iranian frame drum musical instrument, also used in popular and classical music in Persian-influenced South and Central Asia, such as in Afghanistan, Azerbaijan, Tajikistan, Iran, Uzbekistan, Turkey many regions of Georgia, Armenia, Pakistan as well as in parts of India and Russian polar regions. It is also popular among Balkans, Caucasians, Bukharan Jews, Kurds, and Macedonians.

thumb|upright|Kamancheh The kamancheh is an Iranian bowed string instrument used in Persian, Azerbaijani, Armenian, Kurdish, Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument.

Middle Eastern and Central Asian long-necked, waisted string instrument

The Tabl, dhol, tapan, atabal or davul is a large double-headed drum that is played with mallets. It has many names depending on the country and region. These drums are commonly used in the music of West Asia and the Balkans. These drums have both a deep bass sound and a thin treble sound due to their construction and playing style, where different heads and sticks are used to produce different sounds on the same drum.The drum traditionally known as ṭabl is closely associated with dabke, a pre-Arab Levantine folk dance, indicating the instrument’s deep roots in the cultural traditions of the L

Central Asian lute

The shvi (, "whistle", pronounced sh-vee) is an Armenian fipple flute with a labium mouth piece. Commonly made of wood (apricot, boxwood, or ebony) or bamboo and up to in length, it typically has a range of an octave and a-half. The tav shvi is made from apricot wood, it is up to long, and is tuned a fourth lower producing a more lyrical and intimate sound.

type of drum

thumb|right|The pku. The pku, alternatively spelled pzuk,(in Armenian “Պկու”) is an Armenian musical instrument, similar to a clarinet. It has been called the national instrument of Armenia. The pku is a single-reed aerophone with seven holes and a one octave range with the open cone of a bull horn at one end.

The sring (, also transliterated as ) is a shepherd's flute originating in Armenia. Sring is also the common term for end-blown flutes in general. These flutes are made either of a stork bone, bamboo, wood from the apricot tree or cane and have or eight finger holes, producing a diatonic scale. The Armenian musicologist Komitas believed that the sring was the most characteristic among the Armenian instruments.

The lavta is a plucked string music instrument from Istanbul.

The parkapzuk () is a droneless, horn-belled bagpipe played in Armenia. The double-chanters each have five or six finger-holes, but the chanters are tuned slightly apart, giving a "beat" as the soundwaves of each interfere, resulting in a penetrating tone. Researchers in 1996 and 1997 noted they recorded one of the last active pipers of that time.

double-reed aerophone used in Turkish folk music