Cubes

A cube is a three-dimensional solid object in geometry. A cube has eight vertices and twelve straight edges of the same length, so that these edges form six square faces of the same size. It is an example of a polyhedron.

thumb|upright=1.15|Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, [[Museum of Modern Art, New York]]

lattice point group

In geometry, a hypercube is an n-dimensional analogue of a square (two-dimensional|) and a cube (Three-dimensional|); the special case for Four-dimensional space| is known as a tesseract. It is a closed, compact, convex figure whose 1-skeleton consists of groups of opposite parallel line segments aligned in each of the space's dimensions, perpendicular to each other and of the same length. A unit hypercube's longest diagonal in n dimensions is equal to \sqrt{n}.

In geometry, a tesseract or 4-cube is a four-dimensional hypercube, analogous to a two-dimensional square and a three-dimensional cube. Just as the perimeter of the square consists of four edges and the surface of the cube consists of six square faces, the hypersurface of the tesseract consists of eight cubical cells, meeting at right angles. The tesseract is one of the six convex regular 4-polytopes.

3d fractal

number of bits that differ between two strings

thumb|A set of voxels in a stack, with a single voxel shaded thumb|Illustration of a voxel grid containing color values

sugar shaped into a cube, often used for coffee or tea

Cubane is a synthetic hydrocarbon compound with the formula . It consists of eight carbon atoms arranged at the corners of a cube, with one hydrogen atom attached to each carbon atom. A solid crystalline substance, cubane is one of the Platonic hydrocarbons and a member of the prismanes. It was first synthesized in 1964 by Philip Eaton and Thomas Cole. Before this work, Eaton believed that cubane would be impossible to synthesize due to the "required 90 degree bond angles". The cubic shape requires the carbon atoms to adopt an unusually sharp 90° bonding angle, which would be highly strained a

dehydrated broth or stock formed into a small cube

simple wire-frame drawing of a cube that can be perceived ambiguously with respect to the cube's orientation

3-dimensional cube with edge length one

watermelon grown in the shape of a cube

a visual illusion depicting an apparently impossible three-dimensional framework, invented by M.C. Escher

Radiometric device

largest cube that can pass through a hole cut through a unit cube without splitting the cube into two pieces

cubic crystal structure of diamond and other substances

cost-benefit analysis of animal research

thumb|300px|Pablo Picasso, 1909, ''[[Brick Factory at Tortosa (Briqueterie à Tortosa, L'Usine, Factory at Horta de Ebro)'', oil on canvas. 50.7 x 60.2 cm, (Source entry State Museum of New Western Art, Moscow) The State Hermitage Museum, Saint Petersburg]] Proto-Cubism (also referred to as Protocubism, Early Cubism, and Pre-Cubism or Précubisme) is an intermediary transition phase in the history of art chronologically extending from 1906 to 1910. Evidence suggests that the production of proto-Cubist paintings resulted from a wide-ranging series of experiments, circumstances, influences and con

conjecture in geometry about hypercube tiling