Italian Baroque painters

Michelangelo Merisi da Caravaggio (also Michele Angelo Merigi or Amerighi da Caravaggio; 29 September 1571 – 18 July 1610), known mononymously as Caravaggio, was an Italian painter active in Rome for most of his artistic life. During the final four years of his life, he moved between Naples, Malta, and Sicily. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting.

Italian sculptor and architect (1598–1680)

Italian Baroque painter (1593-1651)

Spanish painter (1591–1652)

Italian painter (1696–1770)

Bolognese painter (1575–1642)

Bolognese painter (1560–1609)

Italian painter, poet and printmaker (1615 –1673)

Italian painter and architect of the High Baroque (1596-1669)

Giovanni Francesco Barbieri (8 February 1591 – 22 December 1666), better known as (il) Guercino (), was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.

Domenico Zampieri (, ; October 21, 1581 – April 6, 1641), known by the diminutive Domenichino (, ) after his shortness, was an Italian Baroque painter of the Bolognese School of painters.

Bolognese painter of the Baroque (1557-1602)

Bolognese painter of the Baroque (1555-1619)

Italian Baroque painter (1634–1705)

painter of the Late Baroque (1642-1709)

Italian painter and architect (1691–1765)

Baroque painter (1578–1660)

thumb|upright=1.1|Mars Chastising Cupid by Bartolomeo Manfredi The Caravaggisti (or the "Caravagesques"; singular: "Caravaggista") were stylistic followers of the late 16th-century Italian Baroque painter Caravaggio. His influence on the new Baroque style that eventually emerged from Mannerism was profound. Caravaggio never established a workshop as most other painters did, and thus had no school to spread his techniques. Nor did he ever set out his underlying philosophical approach to art, the psychological realism which can only be deduced from his surviving work. But it can be seen directly

Italian painter (1665–1747)

Italian Old Master painter (1687-1767)

Italian painter (1613-1699)

Italian painter (1657–1747)

Italian painter (1616-1686)

Italian painter (1582-1647)

Italian painter (1625–1713)

painter and biographer of artists (c. 1566–1643)

Italian painter (1659–1734)

Italian painter (1581-1644)

Italian painter of the late Baroque (1639-1709)

painter active in Rome (1599-1661)

Italian painter and engraver (1727–1804)

Italian painter (1683–1754)

Italian painter (1600-1670)

Italian painter (1667-1749)

Italian painter (1628-1719)

Italian painter (1582-1622)

Italian stage designer, architect, theatrical designer, military engineer and artist (1531-1608)

Italian painter (c.1589–1623)

Italian Baroque artist, painter, printmaker and draftsman

Italian painter (1666–1724)

Italian painter (1579-1620)

art

Italian painter (1598-1630)

Italian Baroque painter (1584–1663)

Italian painter (1585-1647)

Italian painter, poet and priest (1603–1646)

Italian painter (1675-1741)

Italian Baroque painter (1607–1656)

Italian baroque painter (1663-1730)

Italian painter (1698-1767)

17th century Italian Baroque painter (1586–1656)

Italian painter, sculptor and engraver (1574-1625)

Italian painter, engraver and stage designer (1676-1730)

Roman painter (1578-1630)

Swiss painter (1612-1666)

painter from Italy (1602–1660)

Italian painter (1577-1640)

Italian painter (1578-1650)

Italian painter (1703-1766)

Italian painter (1707-1789)