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Salvator Rosa

File:Salvator_rosa,_autoritratto,_1650-60_ca_(cropped).jpg · Wikimedia Commons · See Wikimedia Commons

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Salvator Rosa

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Also known as Salvatore Rosa

Italian painter, poet and printmaker (1615 –1673)

OverviewAI-generated

Salvator Rosa, born Salvatore Rosa in Naples in 1615, was an Italian painter, poet, stage actor, and printmaker. Active within the Baroque movement, he worked in the fields of history, religious, and landscape painting. His professional career took place in Florence, Naples, Rome, and Viterbo. He spoke Italian and is buried at Santa Maria degli Angeli e dei Martiri.

Rosa died in Rome in 1673. His artistic output includes works held in the collections of the Städel Museum, Minneapolis Institute of Art, Museo del Prado, and Art Institute of Chicago. He is also recognized as an author with a catalog of works that includes titles such as *In Orbessan* and *Satire dedicate a Settano*.

Synthesized by Vinony from 34 facts across 7 sources: Wikidata, Crossref, Open Library, MusicBrainz, Last.fm, Europeana Sparql, Vinony graph. Generated from structured data (not the Wikipedia text) and checked against those facts — may still contain errors.

Person · Open Library

Born
1615
Died
1673
Works
44

Top works

  • In Orbessan, A.M.d'A. Mélanges historiques, critiques, de physique, de littérature et de poésie
  • Mithridat wider den Gift einer welschen Satyre, genannt
  • Satire dedicate a Settano
  • Salvator Rosa, Aranella, 1615-Roma, 1673
  • Serie di LXXXV. disegni in varie grandezze

via Open Library + Wikidata

Music · MusicBrainz

Type
Person
Gender
Male
Origin
Italy
Active from
1615
Active to
1673

via MusicBrainz · CC0

Listeners · Last.fm

Listeners
165
Total plays
351

<a href="https://www.last.fm/music/Salvator+Rosa">Read more on Last.fm</a>

via Last.fm · Salvator Rosa

Key facts

Born
20 June or ( 1615-07-21 ) 21 July 1615, Arenella , Kingdom of Naples
Died
15 March 1673 (1673-03-15) (aged 57), Rome , Papal States
Known for
Painting , printmaking , poetry
Movement
Baroque

via Wikipedia infobox

Wikidata facts

Instance of
human
Family name
Rosa
Gender
male
Place of birth
Naples
Place of death
Rome
Occupation
visual artist
Languages spoken
Italian
Field of work
painting
Movement
Baroque
Image
Self-portrait by Salvator Rosa.jpg
Work location
Viterbo
Show 6 more facts
Commons category
Salvator Rosa
date of birth
1615-06-21
date of death
1673-03-15
Commons Creator page
Salvator Rosa
has works in the collection
Musée des beaux-arts de Marseille
Sources (7)

via Wikidata · CC0

Works in European collections

36 objects attributed to Salvator Rosa, held across European museums, libraries & archives · via Europeana

A warrior seated on a low wall [Warrior sitting on a low Wall]

A warrior seated on a low wall [Warrior sitting on a low Wall]

Salvator Rosa Invenit [Two men with shield and sword]

Salvator Rosa Invenit [Two men with shield and sword]

Three Soldiers

Three Soldiers

[Two warriors, one holding a sword, the other a halberd; an old bearded man behind them; two warriors, one holding a sword, the other a halberd; an old bearded man behind them]

[Two warriors, one holding a sword, the other a halberd; an old bearded man behind them; two warriors, one holding a sword, the other a halberd; an old bearded man behind them]

[Cinq Fleuves; Five river gods]

[Cinq Fleuves; Five river gods]

The 12-year-old Jesus in the temple

The 12-year-old Jesus in the temple

Landscape with collapsed bridge

Landscape with collapsed bridge

The Forest of Philosophers (Diogenes)

The Forest of Philosophers (Diogenes)

Death of Saint Yanuarius

Death of Saint Yanuarius

Inscription board of a tomb

Inscription board of a tomb

The Battle

The Battle

Harbour

Harbour

Cain beating Abel

Cain beating Abel

Mountainous forest landscape with bursting warriors

Mountainous forest landscape with bursting warriors

Saul appearing the soul of Samuel at the witch of Endor

Saul appearing the soul of Samuel at the witch of Endor

The lie

The lie

Job

Job

Veduta di una baia

Veduta di una baia

The Martyrdom of Saint Cosmas and Damian

The Martyrdom of Saint Cosmas and Damian

On quand ou oime: “Ariette”/(Salvator Rosa)

On quand ou oime: “Ariette”/(Salvator Rosa)

Canzonetta/(Salvator Rosa)

Canzonetta/(Salvator Rosa)

[The Prodigal Son as a Porcupine; The prodigal Son]

[The Prodigal Son as a Porcupine; The prodigal Son]

[Romantic Scene. Wild Landscape with a Hermit]

[Romantic Scene. Wild Landscape with a Hermit]

Polycrates Sami Tyrannus, opibus, et felicitate inclytus, ab Orete Perfarum Satrapa captus, ac cruci affixus docuit, neminem ante obitum merito dici posse felicem

Polycrates Sami Tyrannus, opibus, et felicitate inclytus, ab Orete Perfarum Satrapa captus, ac cruci affixus docuit, neminem ante obitum merito dici posse felicem

[A standing warrior holding a was hammer, his back turned to the viewer]

[A standing warrior holding a was hammer, his back turned to the viewer]

[Four warriors, one seated on a foreground skirt, his arm [a standing figure who gestures [ously; two others stood behind him; four warriors, one sitting on a rock in the foreground and elevating his arm toward a standing figure vigorously gestures; two others standing behind them]

[Four warriors, one seated on a foreground skirt, his arm [a standing figure who gestures [ously; two others stood behind him; four warriors, one sitting on a rock in the foreground and elevating his arm toward a standing figure vigorously gestures; two others standing behind them]

[Four warriors, one seated on a foreground block, three others behind him; four warriors, one sitting on a block in the foreground, three others behind him]

[Four warriors, one seated on a foreground block, three others behind him; four warriors, one sitting on a block in the foreground, three others behind him]

Salvator Rosa Invenit [A Man with a Wishing Gesture and a Staff]

Salvator Rosa Invenit [A Man with a Wishing Gesture and a Staff]

[Diogène et son ècuelle; Diogenes casting away his bowl; Diogenes throwing his bowl away]

[Diogène et son ècuelle; Diogenes casting away his bowl; Diogenes throwing his bowl away]

Salvator Rosa Invenit [A standing soldier with helmet, armor, shield and spear]

Salvator Rosa Invenit [A standing soldier with helmet, armor, shield and spear]

[La Pythonisse d 'Endor]

[La Pythonisse d 'Endor]

Polycrates Sami Tyrannus, opibus, et felicitate inclytus, ab Orete Perfarum Satrapa captus, ac cruci affixus docuit, neminem ante obitum merito dici posse felicem

Polycrates Sami Tyrannus, opibus, et felicitate inclytus, ab Orete Perfarum Satrapa captus, ac cruci affixus docuit, neminem ante obitum merito dici posse felicem

THE PRODIGAL SON

THE PRODIGAL SON

[A man in exotic costume with two women behind him; a man in exotic costume, next to two women]

[A man in exotic costume with two women behind him; a man in exotic costume, next to two women]

Soldier

Soldier

Group of four soldiers

Group of four soldiers

~25 min read

Encyclopedic overview

Salvator Rosa (1615 – 15 March 1673) is best known today as an Italian Baroque painter, whose romanticised landscapes and history paintings, often set in dark and untamed nature, exerted considerable influence from the 17th century into the early 19th century. In his lifetime, he was among the most famous painters, known for his flamboyant personality, and regarded as an accomplished poet, satirist, actor, musician and printmaker. He was active in Naples, Rome, and Florence, where on occasion he was compelled to move between cities, as his caustic satire earned him enemies in the artistic and intellectual circles of the day.

As a history painter, he often selected obscure and esoteric subjects from the Bible, mythology, and the lives of philosophers, which were seldom addressed by other artists. He rarely painted the common religious subjects, unless they allowed a treatment dominated by the landscape element. He also produced battle scenes, allegories, scenes of witchcraft, and many self-portraits. However, he is most highly regarded for his very original landscapes, depicting "sublime" nature: often wild and hostile, at times rendering the people that populated them as marginal in the greater realm of nature. They were prototypes of the romantic landscape and the very antithesis of the "picturesque" classical views of Claude Lorrain. Some critics have noted that his technical skills and craftsmanship as a painter were not always equal to his truly innovative and original visions. This is in part due to a large number of canvases he hastily produced in his youth (1630s) in pursuit of financial gain, paintings that Rosa himself came to loathe and distance himself from in his later years, as well as posthumously misattributed paintings. Many of his peopled landscapes ended up abroad by the 18th century, and he was better known in England and France than most Italian Baroque painters.

Excerpted from Wikipedia’s “Salvator Rosa” article, available under the CC BY-SA 4.0 licence.

Gallery (12)